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This Olathe Calendar of Events is presented by the Kansas City Real Estate Network.
July 2011 - Posts
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Not the bottom for the ratings! Rating: 4
The Bottom of Everything KC Fringe Festival
The play is about Derrick, a guy that has just been released from jail after three years and he stays with old high school friends. They all drink and use marijuana. Derrick is trying to get his life together and his closest friend in the group, Curtis, is the most responsible. However, one of the characters, Wes, is a deadbeat is a heroin addict. Wes overdoses twice and Curtis is a major enabler, for which Wes does not even appreciate the fact that Curtis saved his life. When he overdoses the second time, Derrick does nothing, letting him die, rather than call for help. He was more concerned about not being blamed for anything when the cops found the heroin in the their apartment. Derrick is also tricked into have a one night stand with the Curtis' girlfriend, which ultimately nearly destroyed their friendship. The performers were all good, but not great.
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Great stand up comedy Rating: 4
I Love You, (We're F*#ked) KC Fringe Festival
A one man show that included a song, story telling, and comedy by yet another gay performer that incorporates his gayness into the show. Excellent performer, but not as cute as that picture in his ad!! He had the audience laughing often. The story telling was not about a single topic, like most of the story tellers, but very good anyway. And bravo to this performer for using a mic!!! I could hear everything except for a few lines when he did not hold the mic close enough.
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Pleasantly surprised Rating: 4
Jason Has Mommy Issues KC Fringe Festival
This is a story about Jason, who has a roommate that is his gay partner, and about his relationship to a few of his friends too. It deals with cheating on your partners, including both gay and straight. But most of all, it is about his relationship to his mom. His mom is very controlling and has spent all the years undermining Jason's self esteem and he seems unable or unwilling to take control of his life. The problem is that Jason's mom loves him, but has never accepted him being gay. How do you accept the person if you don't accept what he is? That is one of the issues dealt with in this play. Some of the performers, including "Jason", were very good, but some could use some polish. The biggest problem with this play is the noise!! The a/c system in the MET is noisy and none of the performers used mics. It was hard to hear and I missed some of the lines. Do yourselves a favor and go buy some wireless mics!!! If I was rating this show only, I would consider a 5, but when!
comparing it to some of the others, 4 is the best I can do. 
 
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Stick to Comedies Rating: 1
Hexing Hitler KC Fringe Festival
In 1941, five people gathered in a remote Maryland cabin to kill Adolf Hitler using witchcraft. That about sums it up. There's more to it than that, but nothing I find worth mentioning. Despite the best efforts of the actors (the closest to success were Melody Butler and Doogan Brown), this script just couldn't keep my attention. I had no emotional connection to the characters and, because the playwrights chose to write about something historical, I already knew that it wasn't going to work so I wasn't invested in the plot either. As rude as it may seem, I almost dozed off once.
With the way that lines were being delivered, the actors seemed to be reading a bedtime story rather than taking on characters. Most guilty of this were Kipp Simmons (William Seabrook) and Sarah Mae Lamar (Constance Kuhr), though their characters do a lot of actual storytelling so I suppose I should be a little more forgiving. All of the lines seemed forced and recited – just something that needed to be said so the next actor could get out their line.
I was very disappointed with this production and I wish that these talented locals would have been in a show that would have allowed them to shine. Hexing Hitler was a big letdown after writers Colley and Varney's last Fringe show, Khaaaaan! The Musical (a smash hit). A valiant effort, but I would stick to comedies in the future. 1 out of 5.
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This Isn't Love, It's Reality Rating: 5
Jason Has Mommy Issues KC Fringe Festival
ID8 Productions' Jason Has Mommy Issues
"At age 30, Jason is plunging headlong into his very first midlife crisis. Thankfully, his mother is always around to offer unwanted advice." That's how Jason Has Mommy Issues by Michael Ruth was billed. I was completely unprepared for what was actually in store.
First off, Jason's mother is never actually there, she is just in his head. That being said, Amy Eisele was a wonderful imaginary mom (though I was not a fan of her obviously fake hair piece). Secondly, his midlife crisis had a lot to do with a bump in the road with his boyfriend Thomas, the bump being an affair with Donnie who was introduced as a straight man.
Once I knew what was going on, I really got into this performance. It was a wonderfully written play and incredibly well cast. Jeremy Gassen (Jason) and Gregory Roberts (Thomas) had terrific chemistry; I wouldn't doubt it if they were a couple in real life. Lanie, played by Cassandra Whitney, was their loud mouthed best friend and she fit the role perfectly, though I often found myself comparing her to Kathy Griffin as she has very similar speech patterns and inflections. Stephanie Charlton as Kate was natural and, at times, terrifying (she often spoke of very violent things as if they were nothing at all). I was most surprised by Donnie, portrayed by Matt Leonard. Wait, didn't I just see him doing pagan rituals and impregnating women in Jet Propulsion? Not an hour later he is passionately kissing another man, and quite convincingly I might add. When asked about being a straight actor having to kiss a man on stage he said that it was a role, just like any other. I w!
ish all performers had his mentality.
Ruth's script was hilarious and smart and sad and touching and thought provoking and wonderful. Every scene had its purpose and no line was overdone. My absolute favorite line was, "This isn't love, it's reality. There's very little overlap." Congratulations to all involved in this production; I couldn't have enjoyed it more. 5 out of 5.
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A real eye-opener Rating: 5
No Gender Left Behind KC Fringe Festival
This is a highly entertaining and thought-provoking lecture juxtaposing excerpts of various laws, videos, and personal stories about gender bias.
Frankly, I was as guilty as most people regarding the battle of the sexes. Mainly that the battle only had two sides, only two points of view.
What I find most disturbing is how this male-female point of view creates prejudice throughout life where such prejudice really shouldn't exist. Rather than teaching children to deal with and understand things that make us feel uncomfortable, we teach them to discard that which makes us uncomfortable.
This isn't really the point of the lecture, but it is an important point that I derived from the stories told. Rebecca's presentation is not confrontational. It simply puts the facts before us and asks us to think about the consequences of NOT thinking of the ramifications of our own behavior.
People should see this show for both the entertainment value and the chance to open our minds to a viewpoint that most of us never really consider.
If you get the chance, please reach out and hear what she has to say. You won't regret it. Even if you don't make new insights, you will be entertained by the delivery.
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Ballsy, if meandering Rating: 3
Motherbanking Bankholes KC Fringe Festival
Okay, so let's get out of the way immediately the fact that he's a skilled performer, with a relaxed and conversational style. I want to get it out of the way, because the fact that he's really entertaining is in many respects the least interesting part of the show.
Speaking as both an armchair economics geek and a political comedy writer, I have a great interest in the problem of writing jokes about economics. The problem, I find, is that so much of comedy revolves around shared knowledge and shared experience, and the vast bulk of audience doesn't give a *** about macroeconomics. You can find yourself in the strange position of having to give almost a mini-lecture to an audience to educate them on a subject to a sufficient level of being able to grasp a given joke. The alternative is doing the glib and superficial thing (e.g. making a joke about how paying taxes sucks, versus trying to build some riff on the whole underlying system and the invisible gun and the audience's eyes are glazing over…)
So there's a strange tension, in a show of this nature, between conveying information and telling jokes. What was the major event for our species in the cradle of civilization ten thousand years ago, he asks? The agricultural revolution, I think, and everything that came with it – construction of stable cities, specializing of individual professions, et cetera. Beer, is the answer he gives, and proceeds to riff on it for about five minutes. And, wait – I'm prepared to consider your premise, but I need more information than this. I mean, the brewing of beer occurs in relatively isolated tribal societies as well, yes? So there's a part of my brain running off and wanting him to cite sources. And, of course, that would be the absolute death of a comedy show.
Likewise, later on, he jokes about our crazy Uncle Sam, who doesn't let us swear or look at naked women, but buys us guns. And while the rest of the audience is laughing and having a great time, I'm thinking, wait – who is Uncle Sam in this scenario? The government? That doesn't make sense. The government's never given me guns, or tried to stop me from swearing or looking at naked women. Unless he means some sort of collective cultural force that does those things, but Lord knows I don't live and work in a community like that. I can't laugh at the joke, because the metaphor doesn't make sense to me.
And on it goes. A red flag goes up for me when he claims that trickle-down economics has been "thoroughly debunked", because it's always a red flag when people claim there's no debate to be had in hotly-debated issues. And he's off on another metaphor, ridiculing a trickle-down paradise of capitalist deer and corporate rabbits, and I'm still five minutes back.
(Saying in my head, no, the very reason that both sides can argue economics indefinitely is because economics is a complex system, and while trends within complex systems can be mapped over time, it's extraordinarily difficult to accurately correlate cause and effect, despite how confidently both Republicans and Democrats claim to be able to do so, and once again even pausing to *consider* these very problems would kill the show dead. But the problem I find myself having is that by *not* engaging with these complexities, the jokes often come off as manipulative – at their worst, becoming the very thing that they're ridiculing – and I'm intensely resistant to that in comedy.)
So I've once again composed a review picking apart my frustrations, and I've probably made it look like I hated it, which isn't at all true. In fact, I think that the very reason that all of these issues leap out at me is because of how admirably ambitious the whole thing is. He proposes a history of freakin' money at the top of the show – so, yeah, it comes off as meandering and disjointed. It's easy to be focused when you're doing a storytelling show deconstructing your own sex life. So, did I find it wholly satisfying? No – but, man, I've just got admire the damn testicular fortitude of the thing. 
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Geektastic Rating: 4
A Scientist Turned Comedian KC Fringe Festival
I'm not a scientist myself, but my father is, and I grew up with a lot of awareness of and exposure to that community – not to mention the fact that I've spent most of my adult life dating one on and off. The end result of this is not that I became a scientist, but rather, a citizen on the side of science. Add to that the fact that I'm an entertainer with a great love of stand-up comedy, and I fall smack in the middle of the Venn diagram for this show.
The schtick is fairly straightforward, alternating between traditional stand-up routines and humorous commentary on a PowerPoint presentation. Most of the jokes begin by introducing a chart or scientific concept, briefly encapsulating it, then applying it to something absurd in human relationships or popular culture. (In fact – and this may be something of a bizarre parallel – his routines reminded me of Lewis Carroll's early logic textbooks, in which he would humorously demonstrate logic concepts by incorrectly applying them in illogical ways.)
One thing that struck me about this is that, in many respects, this show is a triumph of *branding* — it's hard for me to visualize a comedian (although he has presumably done this) standing in a comedy club and opening with an explanation of the Heisenberg Uncertainty Principle. But by labeling himself as a scientist-turned-comedian, not only are we prepared for it, it's eagerly anticipated – the title's ensured our complicity with the jokes.
Oh, and the show was really good.
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Flying the coop Rating: 3
The Flock! KC Fringe Festival
The Flock is a collection of clowning skits that is loosely tied together with a bit of plot. It's a great idea, but it just doesn't quite work.
There are a collection of personalities constantly clashing with each other for attention. While much of the clashing is intentional for the story, there needs to be more of an ensemble feel overall. Certain characters stood out more than others.
I really enjoyed Nathan Swashbuck's introduction, although I saw the joke coming from a mile away. It just took a tad too long to get to the punchline. That was a problem throughout the show.
Comedy is hard. It requires precise timing, which means either a fast pace to the funny, or a deliberate methodical pace.
My favorite character in the piece is without doubt, Swooney Rose. She delivered consistently on her bits. And she had the best delivery of a punchline in the whole show. "Wheeee!"
The rest of the performers grasped the basic concept of their characters, but they really didn't seem to have the character's details and nuances nailed down.
It's not a bad show. You will doubtless enjoy it, but it lacks a certain cohesiveness.
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Let's do the tune warp, again! Rating: 4
The Rocky & Bullwinkle Horror Picture Show Parody KC Fringe Festival
Clever mix up of the Rocky Horror Picture Show and Rocky & Bullwinkle. I think it particularly appealed to those that grew up with both stories. Ahem, those of us between say 45 and 55 :)It was a great venue for this production. Our only complaint is that at some points, it was hard to understand the lyrics being squawked in kid voices. Steven Eubank was particularly fun to watch! 
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We don't "Love You" but let's be facebook friends. Rating: 2
I Love You, (We're F*#ked) KC Fringe Festival
The risk of having a festival of performing arts that runs eleven days is the mid-week audience. That means lack-luster audiences of only twenty odd people on those Thursday nights. And yes, these weekday audiences may not be your usual "crowd". Does this mean a performer should give those audiences only a half-hearted effort? No they should not. Most professional entertainers will tell you it doesn't matter if you have 20 or 200. But a less than 100% effort performance is what some Fringe attendees received this week.
I don't read other peoples reviews until I've written mine but based upon the headlines and ratings I saw on KC Stage for "I Love You (we're F*#ked)" I expected a great one man show. Kevin J. Thornton is an engaging performer with wit and a good sense of humor. His music was well executed and I thought well-written. Some of the stories he shared were interesting and entertaining. However, I think what the audience received was about 45% of his usual show. He seemed put off his game by the small crowd who needed to warm up to his style. (Or perhaps we needed to cool down? Apparently the huge warehouse space that is home of the MET is best used in cooler months!) By the end of the show we had seen small glimpses of his potential but the Thursday night crowd left having been cheated out of what could have been great.
One last chance to see "I Love You (we're F*#ked)" on July 30th at 6:00 PM and make up your own mind.
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Too unrealistic to be entertaining Rating: 2
Hexing Hitler KC Fringe Festival
This play involves a group of people meeting in the forest at a campground somewhere in America, to use witchcraft to kill Hitler. First, witchcraft itself is a fairytale, but to make it even more unrealistic is that three of the performers are dressed formally, with one in a formal evening gown!! This in the middle of a forest!! There was no attempt to make this play believable at all. The first forty minutes was just nonsense with no story line or plot. The last ten minutes was the best because that is when they actually bring all the scenes together for a story that finally asks some philosophical questions and makes the plot suddenly have some meaning to it.
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Get "Lucky" Rating: 5
Getting Lucky KC Fringe Festival
I have been a fan of Lucky DeLuxe the burlesque performer.
Now I am also a fan of comedienne Susanna Lee (Lucky DeLuxe)!
You can still get "Lucky" and see this great show as it was chosen as one of the KC Fringe hangover shows! Check the KC Fringe website for details!
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Thumbs up to Bottoms Up! Rating: 4
Bottoms Up Sketch Comedy Show KC Fringe Festival
Many will question the inclusion of improvisational comedy in the Fringe Festival. For goodness sake don't they have their own festival? (They do- look for it in mid-September.)
But this year's offering from Bottoms Up is a great addition to the Fringe schedule. The bits they presented were not new and improvised but a collection of their best work from the past year. It's hard to explain much about the pieces without risk of giving away a few of the punchlines. I will however say I will never think of pizza restaurants, Starbucks or mimes in quite the same way. Also, a fresh take on an old comedy routine is inspired and well executed!
Well done funny people!
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Sad depressing story about the performer Rating: 4
What the Storm Brought Home KC Fringe Festival
First, the description in the program was misleading. It implied that the play was predominately about life in New Orleans after Katrina. Everything that was said about Katrina took up about five minutes of the play. It was actually all story telling about the character, based on the real life of the performer, and was her relationship to her family. It focused mostly on her grandfather and the sexual abuse that was in the family, with her as a victim too, along with the family secrets. Some of her family lived in New Orleans and one of her visits to see an aunt there was just after Katrina. Hence, the relationship to Katrina. I was not really prepared to listen to a story about sexual abuse for an 45 minutes, but this performer is outstanding in storytelling. For that reason only, she gets a 3.5, but I will round up to 4.
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Flock Fan Rating: 5
The Flock! KC Fringe Festival
I saw the Flock's July 29, 10 p.m. show at The Living Room. I thought it was a delightful performance and I loved seeing the distinct personalities of each clown. I laughed the entire show and thought the combination of music and performance was just right. Great job!!
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No Boobs Here Rating: 4
Bottoms Up Sketch Comedy Show KC Fringe Festival
Founder Emerson Rapp started the performance with an announcement, regretfully informing the audience that, despite their name, Bottoms Up is NOT a burlesque troupe. Once we were assured that there would be no boobs, the "best of" show began.
Every sketch was clever though some went over better than others (as is usual with all things comedy). Even when I didn't particularly care for one of the sketches, they always got me laughing with the transition music. For example, a commercial advertising a supplement called "A-Leak" was followed by the song "Under Pressure". I wasn't sold on the sketch itself, but after I heard the song choice I was won over.
There were so many hilarious skits that it was hard for me to pick my favorites, but I finally narrowed it down to three. First there was a very short, reoccurring sketch that was placed at various points in the show. Two of the actors would come out as joggers (one using a shake weight, which was enough to crack me up before anything was said) and become disgusted by something happening on stage. The first scene was two women coughing and sneezing on each other. "Ew, I hate public displays of infection." This theme appeared twice more with the words "erection" and "resurrection". Clever and simple.
Next there was a woman trying to make sure she wasn't being swindled by the covered wagon mechanic. He insisted that the problem was the dead horse, but she wanted him to prove to her that the horse was dead before she coughed up the dough to replace it. He then proceeded to…beat the dead horse. Trust me, it was funnier in person.
My absolute favorite sketch was a play on the famous Abbott and Costello "Who's On First" joke. The couple was discussing the horror movie marathon they were planning on having that night – The Thing and It being the two culprits of the confusion. It was brilliantly written and a terrific homage to the classic scene. The best part? "We can't start the movie right away because Dr. Who's on first."
Bottoms Up is a great team and together they produce some quality sketch comedy. I look forward to seeing what else they come up with. I'm sure this show has added great numbers to their following. Keep an eye on Bottoms Up because they are going places (but remember, no boobs here). 4 out of 5 stars.
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It is Fringy Rating: 4
Inspiration KC Fringe Festival
Well, it is the Fringe. I'm glad I saw this, however, I would not see it again, unlike some of the shows. There was a lot well done, the girl who liked the F word...Mother....and the sword fights. I liked the dancers indicating a change of scene. Another beer would have made it really good.....
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Grrrrrrrrrrrreat Rating: 4
The Song & Dance Project KC Fringe Festival
Loved the music, and the dance. Great combo. Loved that the dancers showed such enthusiasm while dancing. The improv was delightful.
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The zombification of Denmark (and England) Rating: 5
Hamlet vs. Zombies KC Fringe Festival
You know the trend most companies take with Shakespeare, the one where they update the plays to try and make it more relevant to modern society? This company does the most successful "update" of Hamlet I have seen to date.
The play starts as usual, with two guards on the parapet talking about the ghost of the old king Hamlet they've been seeing. Horatio shows up to see what the fuss is all about, and sure enough, old king Hamlet makes his appearance. Except Horatio realizes that it isn't the ghost of the king, but a zombie!
>From there the show takes a severe left turn. Some of the characters try to stick to Shakespeare's script, while the rest of the cast attempts to survive the zombie onslaught. The show is fresh, clever, and lots of fun. If you are a zombie afficionado, are up to date with your zombie films and lore, this is definitely the show for you. If you are a fan of Shakespeare, you can try to spot which lines come from which plays and which characters.
This is the story of Hamlet, reimagined, retold, and frankly, more fun than the original.
The performances are at all levels. Claudius was by far my favorite character portrayal, followed closely by Horatio. Rosencrantz and Guildenstern made their cameo with a nod to Tom Stoppard. Ophelia turned out to be a much tougher character than her traditional counterpart. Hamlet and Gertrude were caught up in their own version of Oedipus Rex. The character of Polonius was my least favorite, mainly because the actor playing him seemed to actually BE a zombie. Laertes was over the top trying to be the comic caricature of the original character, which made his ultimate fate a moment of rejoicing.
The special effects were amazingly funny and worked well in the overall concept of the show.
Everyone in the cast is having fun, and the audience is having fun right along with them. I personally think that the whole zombie trend has been done to un-death, but before you give up the ghost, give this show a try.
The show does tend to drag a bit, but then, so does the original Hamlet in my opinion. It is difficult to say what I would cut from the show to make it pace better. I entered with reluctance. I left feeling satisfied.
What can I say? This show deserves an audience.
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funny and irreverent Rating: 4
I Love You, (We're F*#ked) KC Fringe Festival
the show was a fun mix of music, stories, and jokes. the crowd was maybe not ready for some of his stories (specifically the last blood story). he walked a fine line between poking fun at and poking fun with his audience. i think a few people were uncomfortable, but 1) it's a fringe show. 2) he's half naked on the poster. 3) the show's title includes the word fu%ked.
he references his awkward transitions, but they were still awkward despite this acknowledgment.
funny.
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Melodramatic Rating: 2
Hard Way to Make an Easy Living KC Fringe Festival
So the show was built around watching the performers hurt themselves or do things that look like they should hurt a lot. Basically they are trying to make you feel very uncomfortable or make you squirm. That's cool, but I just didn't think they did a great job overall. They also throw in some humor, but most of the jokes are predictable and just not that funny.
The performers were very good, but the content was not great. I think the main guy was great at getting the audiences attention and building up suspense, but his "tricks" were almost always melodramatic. The main helpers were also entertaining and played some cool music, but none of it was really enough to make a show out of.
It was more built for kids than what I was thinking as I was able to pick out how they could perform each trick safely. I'm not saying I would do them myself, but it just wasn't that impressive at the same time.
They saved the best part for last, when the main guy let anyone that wanted to come up and staple dollar bills to him with a staple gun. Might be worth it on that alone if you are into that sort of thing, since it is so unique.
I feel bad giving them a rating of 2 because I think the performers were individually very good, but they just didn't come together for a cohesive whole show. I would have rather not wasted my time or money.
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Nice to hear Cather's words Rating: 4
Eric Hermannson's Soul KC Fringe Festival
This was an interesting choice for Fringe KC, more traditional than most of the offerings and it offered a welcome change of pace.
The young cast told the story with earnest conviction. They could have placed a tad more trust in Cather's evocative descriptions and taken a bit more time savoring the words, painting the pictures:
"It is a painful thing to watch the light die out of the eyes of those Norsemen, leaving an expression of impenetrable sadness, quite passive, quite hopeless, a shadow that is never lifted. With some this change comes almost at once, in the first bitterness of homesickness, with others it comes more slowly, according to the time it takes each man's heart to die."
"The girls were all boisterous with delight. Pleasure came to them but rarely, and when it came, they caught at it wildly and crushed its fluttering wings in their strong brown fingers. They had a hard life enough, most of them. Torrid summers and freezing winters, labour and drudgery and ignorance, were the portion of their girlhood; a short wooing, a hasty, loveless marriage, unlimited maternity, thankless sons, premature age and ugliness, were the dower of their womanhood."
"...the new day was gilding the corn-tassels and flooding the uplands with light"
This is powerful writing and moving through it quickly in a well-intended effort to move the story along can sometimes have the unintended consequence of homogenizing the subtle allusions and metaphors.
Some nice staging, especially with the wild ponies. There may be a few more opportunities for creative staging that also allow us to feast more deeply on the words such as selective slow motion during the excitement and release of a social dance which is such a pivotal point in the narrative.
Cather is a fine choice for exporting to the Edinburgh Fringe Festival. I think this performance will be well received. 
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Earlier this year, the initial word on the Big Five Ideas campaign from the Greater Kansas City Chamber of Commerce officials included the notion of a major Kansas City Arts Festival in the image of the Edinburgh festival. The hope was that such a festival would begin as a local attraction and build into a regional and ultimately national attraction. It was a great idea, and we backed it.
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Bring your toilet paper. Rating: 3
Rumble in the City KC Fringe Festival
This show was fantastic. The luscious ladies (and gents) of BDU have done it again! I laughed so hard I nearly peed.
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Don't let "opera" scare you away Rating: 5
Super Spectacular! To Opera with Love KC Fringe Festival
I think this is a must-see show. Very funny. A lot of talent on the stage. Some real light-hearted moments that make you laugh out loud. Excellent ties to popular music. And just a tiny tinge of opera worked in. My only complaint is that the music was too loud in proportion to the voices of the actors. They needed to lower the music or mic the actors. But folks, don't let anything scare you from seeing this show. I am confident that you will be glad you went.
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Why are they picking on Der Fuhrer? Rating: 5
Hexing Hitler KC Fringe Festival
This is the tightest performance I've seen at the Fringe so far this year. The direction and acting is excellent. Based on a true story, I found that after watching it, I wanted to know more about the actual events.
I enjoyed the characterizations, although I found the transitions of how the characters felt about each other a bit abrupt and somewhat forced. Attitudes changed often and with little provocation.
I found myself thinking, "My God, these character drink a lot." I also found myself wondering why people who were so anti-Hitler should feel any sympathy for the man. I think what is missing is a revelation of the attitude at the time. This was 1941. Hitler was a tyrant and a despot to many people, but the full revelation of his monstrosity was not truly evident until the end of the war in 1945.
I think the sympathy for Hitler would have been more understandable to a modern audience if said audience was made aware of the prevailing attitude toward Hitler as merely another common enemy to freedom and not the progenitor of genocide he was later revealed to be.
Nevertheless, I thought the performance was strong, the script was good, and I have to say this is definitely a show worth seeing.
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Trainwreck Rating: 1
Jesus, Shakespeare, and Lincoln Walk into a Bar KC Fringe Festival
This show was awful. The premise was tremendous but the script and performances were below amateur. To charge $10 was highway robbery and begs the question "Is there any quality control at the Festival or can anyone drop anything on a stage and be included?"
But the possibilities were intriguing. Shakespeare could have been channeling his characters and their words in regards to the current human condition, veering from Shylock to Falstaff to Beatrice or Jaques and all those wonderful words and images.
Jesus could have been conflicted by all the conflicting information in the Bible and the various religions that sprang from his times and their current states of violence and oppression vs charity and goodwill.
Lincoln might have started out as a stoic icon who slowly reveals possible gay tendencies of various forms while being surprised and titillated, discovering a fuller sense of self as the story moved on.
All of these scenarios present possibilities for humor, character development, current events and discovery.
A lost opportunity and a waste of $10.
I prefer the avant-garde offerings at the festival but some effort should be made to prevent the avant-awful. Many more like this and I will stop Fringing. 
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short film extravaganza
Rating: 3
Best of IFC Short Films KC Fringe Festival
Some of the films tried to be funny but weren't. A few did a good job of conveying humor. We liked the biography about the jazz player. Smoking Monkey films produced funny films without being too long. We also liked "9 1/2 years." During "The Last Man of Idaho," we liked the science fiction aspect but wished he planted the potato at the end instead of current ending.
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Put a little birdhouse in your soul Rating: 3
The Flock! KC Fringe Festival
As usual, you can also read this review at my blog: http://angiefsutton.wordpress.com/.
(Full disclosure: I donated $20 to Beth Byrd's Kickstarter campaign to raise funding for this piece to perform at the Fringe because I know Beth and I like to support various arts organizations when I do have the extra money. Addendum: I probably wouldn't have gone to this production otherwise, as I'm not a huge fan of clowning and/or mime as a performance art. I don't hate it, but I don't seek it out, either.)
I think I may be going deaf.
This will be the third or fourth of my Fringe shows in which I had trouble hearing and understanding the cast of the show. I lost a good part of the dialogue, and had to look at the program a couple of times to understand what names the various clowns of "The Flock!" were calling each other. Catherine Pajor, as Natasha Tinkerbell Dirt - as much as I liked her character - was especially hard to understand, as she seemed to drop her voice an octave and rushed many of her lines.
When you go into "The Flock!", you're provided with a red nose with your program. (I've added this to my WTF bumper sticker and Hitler voodoo doll, and hope to add a Fringe t-shirt so I can get a photo collage of the various Fringe swag I collected this year.) While listening to various songs involving birds, from the Beatles' "Norwegian Wood" to They Might Be Giants' "Birdhouse in Your Soul", I definitely get the impression that this will not be a serious show.
Larry Goodman, as troubadour Nathan Swashbuck, lies on the ground, and with a quick and humorous note to the tech booth from Ellen Pajor (as my favorite out of the batch, May Lacey Blaine, in full tutu mode), we get a dark set. Then, with the theme from the opening of "2001", the batch of six clowns 'wake up', and we're given a batch of little skits - some work, some not so much.
Ellen Pajor's 'rendition' of a combination of "I Dreamed a Dream" (with a wink and a nod to Susan Boyle, I think) and "On My Own" from "Les Misérables" was probably my favorite sequence. It started out making me laugh, and ended with me wanting to give Pajor a sympathetic hug.
I also liked Catherine Pajor's "Twinkle Twinkle Little Star" rap, as well as Goodman's "Me and My Shadow" (which I can't explain why it was funny without ruining the joke). And the "It's a bathroom joke!", "No, it's a penis joke!" dialogue definitely makes this live up to the 'adult themes' I had heard was in it.
I really enjoyed all the various costumes, as they added just the right amount of whimsy to the proceedings, and the idea of making the scene changes part of the shtick was clever.
However, the bits that don't work (especially the bits surrounding a fox stole) just didn't grab me, and the Living Room gets a little stuffy in the end, not helping matters much. It's uneven as a result, the humor strained in some parts.
"The Flock!" has one more performance, and tickets are $10. More information can be found at http://www.kcfringe.org/2011/artist.php?ID=92. 
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trouble in the state of Denmark Rating: 5
Hamlet vs. Zombies KC Fringe Festival
The actors, writing, and production was very good. The play was well-written with intelligent and humorous lines. The actors did an excellent job of delivering the lines. Timing of the humorous portions was very good, including the slow motion spoof of "The Matrix." The lines taken from "Hamlet" and interspersed into the play were nice.
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Fun and entertaining Rating: 4
Rhythm and Boobs: Burlesque from the Bayou KC Fringe Festival
This is what they say it is - a classic burlesque show on live music from the Bayou. The band was small but sounded great, and the voice singers were really good. The girls are fun, flirtatious and entertaining, and connected well with the audience, who was very supportive. Lots of feathers, glitter, clothing flying around and a funny MC.
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Glad I went! Rating: 5
The Donnie and Darla Show KC Fringe Festival
This was not like a lot of other fringe shows. It isn't really a play at all. The two characters Donnie and Darla look like a version on Johnny Cash and June Carter but with bigger hair and a few more raunchy jokes. They have some banter in between musical numbers that they play with a LIVE BAND (finally). I don't want to give too much a way because the clever surprises are half of the fun but I will say this is a great show for anyone who likes top 40 hits from the 80s and 90s, country music, mash ups, or irony. It was a rockin' hour!
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Artistic Quality Throughout Rating: 5
Glamorous Belly Dance KC Fringe Festival
Wow!! I got goose bumps several times throughout the show. The artistic expression of the music through dance was absolutely awesome. The costumes were great but even if they were wearing sweats - the expression of the music with the various dance routines and the way the artists carried it out was a perfect example of dance and music in total harmony! Near the end, there was a solo dance with basically arm and hand movements that was absolutely mesmerizing. I've never seen a dance performance before that captured me so completely.
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zombie rules for healthy living Rating: 4
The Storybook Guide to Zombie Survival KC Fringe Festival
We liked that it had a story to it and how the actors interacted to stay on track. The taller actor in the tuxedo did a very good job of naturally delivering his lines. He commanded attention when speaking due to his good acting skills. The other actor needs more practice with delivering his lines well. His lines sounded rehearsed, with minimal vocal inflections. The humor in the story was entertaining. We enjoyed the panel at the end of the play.
Suggestion: Sell t-shirts!
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Please RSVP by October 28th. Just select your meal in the food court area and we will meet upstairs in the Club Room. Purchasing a meal is optional. There is an elevator past the food court area. Olathe Chamber Chairman's Liaison Committee meetings are typically held the first Tuesday of every month, 11 a.m., at a different restaurant location in Olathe. Occasionally the date may shift due to holidays, other large events, or wintry weather. If you are not currently a member of this committee and have an active membership with the Chamber, feel free to contact Mary Nichols, mnichols@olathe.org for information on getting involved. We are glad to have you join us!
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Neighborhoods and apartment complexes throughout Olathe are invited to join forces with thousands of other communities nationwide for the “28th Annual National Night Out” crime and drug prevention event. National Night Out is sponsored by the National Association of Town Watch and co-sponsored locally by the Olathe Police Department in cooperation with the Olathe Fire Department and Johnson County Med-Act. Over 15,110 communities from all 50 states are expected to be participating in this year’s “America’s Night Out against Crime.” National Night Out 2011 is expected to be the largest ever. National Night Out is designed to: (1) Heighten crime and drug prevention awareness; (2) Generate support for, and participation in, local anticrime efforts; (3) Strengthen neighborhood spirit and police-community partnerships; and (4) Send a message to criminals letting them know neighborhoods and the police department are working together to fight back. From 6:30 to 9:00 p.m. on Tuesday, August 2nd, people in neighborhoods throughout Olathe are asked to turn on their outside lights and spend the evening outdoors with neighbors. Many neighborhoods will be hosting a variety of special events such as block parties, cookouts, parades, and contests. Neighborhoods will receive visits from the Olathe Police Department, the Olathe Fire Department or Johnson County Med-Act. If you would like more information regarding National Night Out please call Specialist Beth Wegner at 971-6323 or email bwegner@olatheks.org.
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Held on Thursdays at 9 a.m. at different Chamber member businesses, our coffees are the largest weekly networking event in the Kansas City area. Expect to meet 150 to 250 people each time!
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Held on Thursdays at 9 a.m. at different Chamber member businesses, our coffees are the largest weekly networking event in the Kansas City area. Expect to meet 150 to 250 people each time!
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Held on Thursdays at 9 a.m. at different Chamber member businesses, our coffees are the largest weekly networking event in the Kansas City area. Expect to meet 150 to 250 people each time!
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Held on Thursdays at 9 a.m. at different Chamber member businesses, our coffees are the largest weekly networking event in the Kansas City area. Expect to meet 150 to 250 people each time!
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Held on Thursdays at 9 a.m. at different Chamber member businesses, our coffees are the largest weekly networking event in the Kansas City area. Expect to meet 150 to 250 people each time!
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Unexpected but lovely! Rating: 5
Kansas City Dreaming KC Fringe Festival
This concept production is more like a cabaret or vaudeville show and consisted of several individual acts unrelated to each other, the same way we can have several different dreams over the same night. They produce different emotions in us. I disagree with one of the reviewers who wasn't impressed by the numbers between the first and the last one. On the contrary, the piano player's act (who was also a contortionist) was brilliant! Did you think that watching a piano player was boring? Not here. His facial and body display of emotions while trying different piano plays was absolutely hilarious. I could have watched him for hours! I wish he did more contortionism, too.
There were a few burlesque numbers, which I also liked. The girls were really pretty, playful and bubbly. Here you are in for a surprise, as well.
I wasn't very impressed with the puppetry number, though. It was fun, but I felt that the puppeteer's skills could have been better.
I must admit that the last number, the hula-hoop girl, was fantastic! She wore little clothing, and I think the rest her body was painted; and she was very good at maneuvering her hoop. Definitely, mesmerizing and entertaining. Yes, I recommend this show.
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It’s the end of an era for three teenagers who are performing in the Summer Youth Theater’s production of “West Side Story” at the Lawrence Arts Center, 940 N.H. The three: Hannah Foerschler, Jacob Leet, and Eric Palmquist, have worked together at SYT productions for years, but now that they have graduated from high school, they must say goodbye to the theater company.
more at lawrence.com
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This or That
Rating: 3
This
KC Fringe Festival
Like most audience members for THIS I had previously brought tickets for LOCKED UP by Rusty Sneary. I was more than happy to pay $10 to see Rusty's play. And though I really, really enjoyed THIS I'm not sure $10 to see a 30 minute one act in a theatre where I sat sweating was totally worth it.
But regardless of price THIS was a touching and interesting story.
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Great show Rating: 5
Rhythm and Boobs: Burlesque from the Bayou KC Fringe Festival
This is a fantastic show. Great instrumentals. Great dancers. Amazing vocalists. A great cast full of lovely ladies. Ms. Rusconi has put on a fantastic show. 
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You may be that gay Rating: 2
I'm Just Not That Gay! KC Fringe Festival
This show cam highly recommended by someone from out of town. Other than the looks of the actor and the shirt as I listened to his story I failed to see the reasoning behind the title of the show.
Some of the songs were cute, the last song was the best , but out of character. Loved the pre show Disco !
I guess there was not enough story line to make me really care about the character, probably kind of difficult to totally put yourself out there like that. Even tho he thinks that he is "just not that gay" A person who works at Walt Disney World and Universal Studios ( both - *** City USA) and is a musical director for a theatre company where he gets to play Broadway music all day every day, Me thinks you are, just that gay !
Some laughs, but not worth the $10 price when you compare it to other shows in the fringe. 
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Say Yes to This Rating: 5
This KC Fringe Festival
Among the best plays in 2011's Fringe Festival stands "This," a play about a young man who is willing to take life by the horns and ride like there is…well, a tomorrow that's worth fully living - and his attempt to convince a stranger to do the same. About 10 minutes before the show's start on Monday, the 25th, the audience gathers what information they can from a man who seems to be enjoying his rest on a bench a little bit more than your average bench-sitter might. By the end of the 10 minutes, the audience's interest is fully peaked, but it's a good guess to assume few people in the room were ready for what they were about to see.
The man, Ethan, is very awkward, but in a charming way. He seems to be the kind of man who could have chemistry with any girl - not just the one he has chosen: Aimee-double-E. From start to finish, this couple (and that word is used very loosely) does nothing short of have, and deservedly keep, all the attention in the room. The actor playing Ethan walks with purpose, talks with enthusiasm, and acts like a pro. He builds for the audience the most adorably goofy character and takes his viewers from equivocating him to a weirdo on the streets of the Plaza all the way to rooting for his every desire to come true. The actress playing Aimee manages to hold her own up against the sheer magnetism of her male partner, and she does it with grace, energy, and the abilities of a well-rounded realism actress. The moments when her face ever-so-subtly signals that she is a second away from giving in are arguably the most beautiful in the entire play.
"This" is a play you must see. "This" is some of the best acting in the Fringe Festival. And even though "This" severely frowns upon a "lack of boldness," any Fringer is exhibiting a serious lack of intelligence if they don't go see "This." And, additionally, "This" reviewer is saying to get there early enough to grab a very comfortable Living Room chair because a bad chair will be the most disappointing thing about "This."
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Grimm and Bare It a Delight, but you knew that already Rating: 5
Grimm and Bare It KC Fringe Festival
The Kansas City Society of Burlesque and their compatriots, Bee's Knees Burlesque join together to create the wonderful "Grimm and Bare It: Once Upon a Time in the Land of Bump and Grind"
Taking off from Grimm's Fairy tales, the show is built around Jacob (Artemus Vulgarus) and Wilhelm (Victor Vector) attempting to write their stories. As the evening wears on the stories come to life, usually in the form of attractive women who take their clothes off.
Standouts include Ms Kitty as the Evil Witch, Sweet Louise as Cinderella and Annie Cherry as Sleeping Beauty (rolling a sleeping Jacob Grimm). If there's one complaint about the show it's that there is not enough of these three performers. Daisy Bucket is fall on the floor funny as Snow White. Honey Valentine is funny and a little frightening as Little Red Riding Hood. And I should point out that Artemus vulgarus squeezes laughs out of some weak material in his lines.
All the performances are wonderful.You really want to see this.
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Hocus Pocus
Rating: 4
Hocus Pocus Out of Focus
KC Fringe Festival
The Hocus Pocus magic show hosted by Sicko the Clown is plenty of fun for both adults and children in attendance. Be sure to wear your magic shoes, because the performers often solicit the aid of audience members.
Besides some juggling and humor of his own, Sicko's primary job is to emcee a showcase of magicians from the local union. Some are better than others. Don't let that deter you from attending -- and volunteering to become part of the show.
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Fine Performances with Some Predictable "TLC"
Rating: 4
TLC
KC Fringe Festival
At "Helping Hands", a halfway house for teens, counselor John (Jason Coats) conducts his first group session with kids that have been abused, neglected and unloved. From John's hesitation at the beginning, we immediately know that he is unsure of how his day will go. Will he be able to successfully unite these teens, or will he fail miserably and be fired at the end of the day?
Each of the kids has their chance to speak about their experiences - yes, the script is unfortunately that predictable. John probes them with questions and the stories roll in, monologue-style. Yancy (Lindsey Reams), a Batman fan, has a social disorder that isolates her from the rest of the teens. Alex (Joseph Bricker) is a thief with a lot of pent-up rage. Hannah (Jennie Betzelberger) speaks of being molested by an older man. We hear from the other teens about drug use, sexuality, murder, and suicide. Much sadness and anger is expressed by most of them. (Of course.) A few project indifference to their situation. (Typical teens.) Others are so detached from their reality that they don't know how to express themselves effectively. For the most part, the monologues were performed well, with moving, dramatic builds and appropriate beats. The script strengthened with interactions between the kids – conflicts, agreements, a skit about being gay, and a kiss – all which!
created waves of emotion within this audience member.
PerformOUT KC is an amateur group of actors ages 14-20, and not having seen their work before, I was not sure what kind of performance level to expect. Coats was the only adult in the show and did a fine job in expressing the frustration of a difficult first day at work. Performances by Reams, Bricker, Betzelberger, Alexandra Tiller, Spencer Wilson, and Stephanie Laaker prove that the future of Kansas City theatre will be bright. Standout Reams is a pleasure to watch on stage; she bursts with energy and humor without overstepping. Another favorite was Wilson, who is a compelling actor that has a gift for connecting. Other actors were satisfactory but not stellar - perhaps a few more experiences on the stage will do them good. There was some vocal nervousness, a few moments of over-acting, and problems with projection, but I was impressed with these young people overall.
I don't want to spoil anything for you, but since these characters are based on real people, you may be able to guess what is revealed at the end. The final moments of the play provide a satisfying conclusion that makes you think hours after the show is over.
The Metropolitan Ensemble Theatre has a small space, but is decent for plays with simple sets. With Kansas City's steamy summer heat, it was somewhat warm in the theatre, but there were plenty of fans placed on the seats for the audience.
There are two performances left of "TLC". Support these young actors and take your own teen to the show. More information on tickets can be found at www.kcfringe.org.
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Fun and Funny!
Rating: 5
The Donnie and Darla Show
KC Fringe Festival
The characters were cute and the band sounded really good! It was like a old time country music show, but all the songs were clever takes on 80s and 90s pop songs. The Thong Song is especially hilarious. It's like a mashup with the Rawhide theme. The two leads Donnie and Darla were really sweet with each other and had a lot of nice genuine chemistry. I would recommend it just because it was a different experience from a lot of other plays at the fringe and the music was really good.
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fun!
Rating: 4
Film Classics Presents: Heaven So Far
KC Fringe Festival
this is what a good fringe show is. it was funny at times, irreverent, and well acted. i would say the weakest part was the script. but really, in my opinion, it was only the end that needed work. the standout was the man who played both the gay husband and the tupperware wife. can't remember his name or the character's name. anyhoo, go see it!
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Science Geeks will love this. Jocks will appreciate it.
Rating: 5
A Scientist Turned Comedian
KC Fringe Festival
Tim Lee has a very dry delivery style. As a math, logic, and philosophy geek myself, I recognized and understood the scientific principles he presented in his stand-up routine. His use of those principles in everyday comic situations was creative and fun.
Personally, I think it was the best explanation of the Heisenberg Uncertainty Principle I have ever seen. There is a lot of subtlety to the show. He presents a joke, gives you time to figure it out for yourself. The faster you read, the faster you'll get the joke.
While it is a very low-key presentation, it is hysterically funny. The show mixes regular stand-up routines with a power-point lecture on scientific principles applied to everyday situations.
If you didn't pay attention in high school physics, you'll finally realize what you were missing out on.
I liked this show and the intellectual humor. Low-brow fans will enjoy this show as well, but probably not as much as a burlesque show or Benny Hill. If you're willing to think to get your laughs, this show is a must see for you.
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Wet your pants funny
Rating: 5
Super Spectacular! To Opera with Love
KC Fringe Festival
Two talented funny guys + a multitude of costumes that might have come from a homeless person's grocery cart = 60 minutes of happiness & joy. I'm not an opera person, but decided to see the show because it was $5. Basically the show is a hysterical "Cliffs Notes" of 6 different operas (trust, you don't need to know a thing about opera & you will understand each one fully).
Both actors have excellent comedic timing; played to (and in) the audience; could actually sing & had the audience on their feet by the end of the show.
In my humble opinion, this is the best thing I've seen at Fringe in a long time & if I could find the time, I would see it again. Do yourself a favor & don't miss this little gem in Union Station.
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Jesus et. al. in a bar
Rating: 2
Jesus, Shakespeare, and Lincoln Walk into a Bar
KC Fringe Festival
This show had its high and low points. Let's start with a high--Carlos Portillo as Jesus. The slight Hispanic accent was not off-putting; it seemed almost right. He has appropriately shoulder-length son-o-God hair and robes, and his feet were clad in converse, which was okay. The great thing about Carlos' portrayal of the Lamb of God was his sweet and gentle demeanor. He was soft-spoken and some of his lines were lost, but that is largely because writer/director/actor Kris Owens, located his actors in a row downstage of his own perch at the bar, forcing them to turn around when they talked to him, and deliver their lines away from the audience.
Jesus was the first character on stage, so he had the most dialogue with the bartender, who upstaged him and the rest of the cast every time they spoke to him. Besides the awkwardness of the bar placement, the director should also be taken to task for arranging his actors in a single line of folding chairs--sort of like the last supper but without the dinner table.
Poor Shakespeare. He had no English accent, few Britishisms and very few laugh lines. I got the feeling he was there only to fill out the title joke. Buddah, on the other hand, was perfect-- a chubby, barefoot, robe-bedecked Asian, who always had a smile on his face and a yoga mat at his side.
Things really fell apart when a sequin-spangled, uber-gay Abe Lincoln swished his way into the bar. I became uncomfortable with the writing at this point. Lincoln was beyond flaming, a collection of every homosexual stereotype ever devised-- as another reviewer mentioned-- the squirm-inducing gay equivalent of blackface.
I felt like walking out but I was glad I stayed as the best was yet to come. Abe flipped a few switches and we got to see some home movies of the boys frolicking in KC parks and cutting up in yoga class. This small bit of film was filled with the joy and good humor the play lacked. Perhaps Owens should give up the stage for film.
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Exactly as advertised---Glamorous bellydance Rating: 5
Glamorous Belly Dance KC Fringe Festival
I enjoyed this show tremendously. I think the disappointed reviewer has confused classic belly dance with American tribal/fusion (which can be described as "snakey"). Traditional bellydance involves a host of moves, many of which are on display in this performance. I especially enjoyed the dancers' work with veils, the costumes, and the movement and flow of the choreography. All in all, I had a very enjoyable evening, and highly recommend this show.
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Loving "This"
Rating: 5
This
KC Fringe Festival
It is difficult to say anything about such an intriguing play without giving away too much. The actors are excellent and the script is adult, intelligent and thought provoking.
Try to save some of your energy for "This" as its performance slots at The Living Room are all end-of-day and late-night.
"This" was substituted for the show "Locked Up," which appears in the printed program. I bought an advance ticket for "Locked Up," but I'm glad I got instead to experience "This."
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Don't Dream It's Over Rating: 3
Kansas City Dreaming KC Fringe Festival
A mediocre show that features two great acts that make it worth seeing. This is NOT a burlesque show. There are 2 or 3 burlesque numbers, but much more. You have a puppet show, a keyboardist, and poetry. But don't go see it for any of that. There are only 2 reasons to spend your ten dollars on this show.
1. The most amazing belly dance ever to the song Music Of the Night. She had gossamer wings. Oh the beauty she made with her wings. I felt as if I were transported to a world of dreams and unlimited possibilities. I could have watched her all night long.
2. A dancer with a hoola hoop. The dance was a piece of art done in the background of a black light. All she wore was white in her hair, one white sleeve, and teeny white panties. She became one with the hoola hoop.
They start with a wonderful number and end with a wonderful number. It's a shame about the ones in the middle.
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I Don't Get It, But I Kinda Like It. Rating: 4
Violet Dreams & Unlisted Melodies KC Fringe Festival
I hate to ask what certain pieces of art mean. Art should resonate with the person looking at or watching it. As long as you feel a connection it has done it's job.
But sometimes, you look at art and just say, "What?". There are certain shows that make you leave and shake your head in confusion.
This show is like standing before a piece of artwork made out of chewed up bubble gum that depicts two people making love.
This is not to say that the show is bad. In fact, it was intriguing. The music was mesmerizing, the dancers talented. But you come away not sure what just happened to you. This was definetely one of the most unique things I've seen.
One note: I would think twice about taking a child to this show. The show does excellent work in the program by telling you if there is explicit words or moves. The number P.S.A. had sexual gestures. Now I am totally against censorship, but you will have problems explaining to your child what is going on if they should ask you, because you're not entirely sure yourself.
Timmy: Mommy, what are those girls doing?
Mom: Well, they're um dancing.
Timmy: Why is her head between the other girl's legs and why is she moaning?
Mom: It's uh, it's a new type of dance. Uh, um, well...
Timmy: Mommy, what is she doing to her butt?
Mom: We need to go to the bathroom.
To sum this whole thing up, the best part of the performance was the last number which by itself is worth seeing this show. It was enlightening, even if I'm not sure why.
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"Film Classic" presentation almost Heaven-ly. Rating: 4
Film Classics Presents: Heaven So Far KC Fringe Festival
If you are a fan of classic melodrama on film or more specifically a aficionado of the films of Douglas Sirk and his ilk you will find plenty to love in "Film Classics Presents: Heaven So Far" at this year's KC Fringe Festival. Staged as scenes from a classic film as if presented by a basic cable television telethon the show has plenty of moments for each of the cast to shine. The cast includes Stefanie Stephens, Jeff Smith, Francisco Javier, Becca Scott, Ryan Chambers, Magie Hogan, Genewa Stanwick, and DeDe DeVille as "Film Classic's" host Carlotta Holmes. They are all well cast and give great performances. The cast and crew should get extra kudos for some well executed scene changes!
The "plot" of the film revolves around a 1950's "Leave it to Beaver" (blatant pun you will understand later) style family and their "unnatural" interest in the new mexican gardener. The careful insertion of some taboo subject into a normal family environment was a common theme in Sirk's films. To modern audiences the "scandal" is a little ho-hum but the humor is in the old-school reactions of the characters on stage.
Kevin King has written and directed a great little piece. If anything the script might need just a bit of editing. Doing so would tighten the show and raise the overall energy. At times the performers seemed slightly rushed. (Opening night jitters?) Trimming some of the dialogue or eliminating a scene change or two would be a great benefit to the pace of the show and give these great performers the time to really work their moments on stage. The device for filling the holes in the plot is already included in the form of hostess Carlotta Holmes and should be used more.
Sound design usually goes unnoticed but some of the effects and music choices by Daniel Warneke added smoothly to the action and comedy. One recurring sound effect made me laugh each time it was used. Costuming and props were also very well executed by Connie Carlysle, Seigo Sakata and Yuki Sakata.
There are still chances to catch "Film Classics Presents: Heaven So Far" this week Wed 7/27 @ 6:30 pm, Thu 7/28 @ 9:30 pm and Sat 7/30 @ 11:30 pm
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*****Awards*****
Police Chief’s Choice Sheriff’s Choice Fire Chief’s Choice
People’s Choice Top 25 Cars Dash Plaques for First 100 Cars
Fantastic Door Prizes
Minimum $15 donation per show vehicle
Event Schedule Where to Register
Registration 9 AM until 11 AM www.olathepolicefoundation.org (PayPal)
Show and Shine 10 AM until 1 PM or on site the morning of the show
Judging 1 PM until 2:30 PM ***One vehicle per form please***
Show is open to all classes of vehicles
Vintage Public Safety Vehicles Welcome
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Polished Slapstick Rating: 4
Super Spectacular! To Opera with Love KC Fringe Festival
Marketable concept, yes? Is a review even necessary? Is it competent? Yes, maybe, and hell yes.
Here's a show that – the vast bulk of the comedy seems to come from the juxtaposition of opera with pop music, done to great effect – but really, it's just one of those Goldilocks plays, that seems to hit exactly that right combination of elements. Between the song parodies, the clowning in the frame story, the vaudeville-esque back-and-forth between the duo – one moment flows seamlessly into another, and yes, there's something for everyone here.
The jokes themselves aren't terribly innovative – that's not the point, they're fairly stock, it's a classic running-in-and-out swapping wigs and one-liners sort of affair – but it's incredibly well-executed, and there's just an insane amount of performance polish on this thing. It's slick, man, hella slick for a Fringe show.
(If I have a complaint, it's a purely technical one – in the KC venue I saw them perform in, I lost several of the lyrics under the music – which is a major issue in a show where so much of the comedy is generated by said lyrics. They either need to be miked or the sound levels need to come down.)
But, yes – one of those shows that was sufficiently light, and sufficiently pleasurable, that I don't find myself having much to say in the way of analysis. It's fun, it'll probably be a hit, and it deserves to be.
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Family Friendly Event with Lots of Wow Rating: 5
Spiral Dream KC Fringe Festival
From the opening juggling act to the closing scene, this show grabs your attention and entertains you. But then again, how can you go wrong with fire? My only complaint is that I wish there had been more fire...especially the ground effects that were cool! This outfit puts on a quality show that is worth your time/money. 
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multimedia mothertalk Rating: 4
Mother Tongues KC Fringe Festival
Chicago's 'core project' presents a strong hour engaging mother relationships and mother stories, integrating video and modern dance. The seven member ensemble captured the anxiety and humor, depth and complexity of mothers by exploring the gestures and stories shown in video clips and heard in audio loops. There seemed to be a few video gaps/glitches in the first night's performance -- I heard they were going to include fresh interviews from the streets of KC? Thinking of going to see it again.
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 So I have to admit, I haven’t been out to the Kansas City Zoo since the NEW African Sky Safari opened. My kids are dying to go and we will get there before school begins. Readers– have YOU been?… more
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Wrapped up in Voler Rating: 5
Tordu Vol: A Twistsed Tale of Flight KC Fringe Festival
Once you come see these wonderful performers, you'll be glad you did. The sounds, video imagery,and breathtaking performances will make this one of the top shows of the 2011 Fringe!
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A Glamorous glimpse of Cairo Belly Dance! Rating: 5
Glamorous Belly Dance KC Fringe Festival
I've studied Middle Eastern dance for 20+ years & found this show to be a gorgeous display of classic Egyptian cabaret-style belly dance. Zaghareet and bravo ladies!
The first half showcased 6 very lovely solo dancers, performing traditional isolated belly dance movements, to classic Egyptian songs. These ladies wore fabulously glamorous costumes! One costume most audience members won't be familiar with was a beautiful black Assuit dress, worn by Zada. These Egyptian dresses are works of art in themselves, with the black fabric patterned with hand-crimped pieces of silver. I found it a nice touch to include this very traditional costume.
What a surprising delight to hear Darrell Brogdon, host of radio's Retro Cocktail Hour, introducing songs in the second set. Music in this set was not typical belly dance music, so the introductions were informative and interesting. The second set introduced at least 5 more beautiful dancers, several group dances and the use of veils and fans.
The show was a good mix of music, costumes and dances.
My favorite piece, performed by Zada Al Gaziyeh, was a study in graceful, captivating arms and hand movements. Her grace is something most dancers will never master during a long belly dance career; this was simply mesmerizing.
Go enjoy this glamorous glimpse of Cairo belly dance!
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Bravo! Rating: 5
Super Spectacular! To Opera with Love KC Fringe Festival
So admittedly, these guys had me at "6 operas in 60 minutes" but they still managed to exceed my expectations and deliver a rollicking hour of hilarious mayhem. The story, concerning a loveably vain opera star performing his audition material in preparation for a shot at playing Pavarotti, is a delightfully silly framework on which to hang the real "star" of the show: the promised 6 operas, which borrow from more pop references than you can shake a lorgnette at. Both actors bring a manic energy to the show, and they clearly love what they're doing, which endears them to the audience even more. Even the one (impressively well-behaved) child in the audience ate it up. Bring the family - at $5 a ticket, this may be the best deal of this year's Fringe!
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Verbose, Indeed Rating: 3
Camelot is Crumbling KC Fringe Festival
Minnesotan phillip low (why in lower case?) brings his talent to the Kansas City Fringe with "Camelot is Crumbling", a 'behind-the-scenes' tale of what really happened in Camelot from the point-of-view of Lancelot, Mordred and Gawain.
I don't have a Ph.D. in Arthurian legends, but over the years, I've gathered bits and pieces of the tales from Hollywood movies. So when I think of Arthur, Guinevere and the gang, I imagine typical chain-mail metal uniforms, swooning women and gallant men. If you had the exact same thoughts as I, get ready for a complete 180. Performed in the tiny space of the Fishtank, the set was sparsely decorated with a few chairs and tables, and a modern wheelchair. After taking my seat, I finished reading the piece of Olde English that was in the program. Modern wheelchair. Olde English. Hmm… Clearly, this play was going to be unexpectedly different.
We meet Lancelot and Mordred, both played by low in very distinctive ways. Lancelot appears in a WWII-style coat and speaks into a cassette tape about love, loyalty, and fighting for what's right. He's in a war for Arthur's truth and makes recordings about his experiences so that there is proof of them. From low's slow, deliberate movements and proper speech as Lancelot, he switches to a smooth Southern accent for Mordred. Here we find out about Mordred's relationship with his dying father Arthur (hence the wheelchair). Mordred, dressed in modern fatigues and a Jesus Loves Me T-shirt, had a tormented soul that was difficult to understand. Maybe it was the heavy, verbose language that lost me – but his slam poetry-like rhythm was engaging.
As low switched back and forth from Lancelot and Mordred, we heard Charlie Bethel's voice as Gawain, divulging information on Camelot's final days. Bethel's voice was pleasant to the ear and reminded me of listening to a noteworthy book-on-tape.
Unfortunately, after about twenty minutes into the piece, I was tired of listening. There was an obvious talent that shined in low – his careful movement choices were respectable and his way with words is in a class all on its own – but the language was so intense and long-winded that I had trouble wrapping my head around what was being said. (Maybe I should have gotten that Ph.D.)
This play may not be for everybody. However, if you think you can take 60 minutes of constant, streaming words that you may or may not understand, have low take you on a journey of Maximum Verbosity.
Information on how to get tickets for the last three performances can be found at: www.kcfringe.org.
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It's just a jump to the left Rating: 4
The Rocky & Bullwinkle Horror Picture Show Parody KC Fringe Festival
Rule 34 of the internet: if you can imagine it, there is porn of it. Addendum: if you've thought of it, there's most likely fan fiction of it.
Filker Tom Smith, written long enough ago that the special guest is Mikhail Gorbachev, wrote The Rocky Horror Muppet Show, which took the idea of "The Rocky Horror Picture Show" and crossed it over with the Muppets. (You can read the whole script at http://www.tomsmithonline.com/comedy/rhms.htm.) And Eubanks himself states in the program of "The Rocky & Bullwinkle Horror Picture Show" that it was 'yoinked from Joe Blevins online circa 1996', so he readily admits this is not an original concept. In fact, right after said note, there's another note that states, "We hope you think this show is as stupid and entertaining as we do."
From the cartoon preshow music to the kazoo choir of the opening theme of "Rocky Horror" that turns into "Animated Cartoon Feature", there is plenty of humor in this latest outing from Steven Eubank and Egads! Theatre. The topical humor, with Bill Pelletier (stealing the show every time he comes on stage as the Narrator) making cracks about Katie Horner and someone else (I can't remember) making a Michele Bachmann joke, are the best pieces. There's even a joke as Katie Kalahurka (playing both Canadia - i.e., Columbia/Nell Fenwick - and Sharmie - i.e., Sherman/Eddie) storming off as Canadia after the evening meal is 'introduced', states "I'm telling Equity" as she goes.
The actors are obviously having a ball, from Doogin Brown (in his second Fringe show and someone I am now officially a fan of - does this man not sleep?) as the Bullwinkle/Brad combo and Rachel Pallente as the Rocky/Janet combo having way too much fun in their respective roles as our heroes. A shout out to Samn Wright, who I last saw in Egads! Evil Dead as Ash (there's even a callback groaner of a joke about it) who just seems to exude charisma in playing the Dudley Do-right/Rocky part. Another one I am going to be keeping my eye out for.
The "Toon Warp" and the "Animated Cartoon Feature" are the best songs/parodies, making the most of the odd mash up and just going to town with it.
However, I was in the house left part of the audience, and the show played a little too much center, making me feel like I missed a lot of the show and that I was just eavesdropping on the show. Also, being house left, I was right next to the backstage band, which means I had a hard time hearing the actors a lot of the times.
The show is clever, but the joke plays on a little too long and gets old quick. The second act especially seemed to just go on ("The Floor Wax Show" was easily the weakest of the songs, and could have easily been cut or truncated, as it just doesn't seem to work).
I almost bowed out of going to the Egads! show this Fringe. After all, Eubanks already has a strong following, and my review is not going to make or break it, and there are others who will rate and/or review it on "KC Stage". But when I saw the title, I was hooked and had to see this crossover. I think if the show was 60 minutes instead of 90, cutting down some of the songs, and if blocking was more devoted to the thrust style approach of the Off Center Theatre space, it would've been an outstanding show. In the meantime, as it is, it's a great show. But head's up if you want to see it, make sure you get there very early (I showed up 20 minutes before curtain) in order to get a good seat in the center section.
"The Rocky & Bullwinkle Horror Picture Show" has four more performances this Fringe, and tickets are $10. More information can be found at http://www.kcfringe.org/2011/artist.php?ID=23. 
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The district's summer education programs continue to gain popularity. This year more than 3,660 students participated in summer school, an increase of 42 percent over the 2010 attendance, according to Mary Matthew, director of school improvement and assessment.
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"I feel guilty about not feeling guilty" Rating: 3
Camelot is Crumbling KC Fringe Festival
As usual, you can also read this review at my blog: http://angiefsutton.wordpress.com/.
When I was let into the Fishtank for "Camelot is Crumbling", I wasn't quite sure what to expect. The small space had a modern day wheelchair, a couple of tables, and regular chairs. The preshow music was a series of Judy Garland songs that it wasn't until afterward that I realized all were war songs. And the program had a Chaucer-like drawing on the front, a Latin quote in the inner cover, and an excerpt in Olde English of Mordred and Arthur's last battle.
"Camelot is Crumbling" is the story of the fall of Camelot, presented by phillip low {sic} as both Lancelot, telling the 'true tale' of what exactly went down before the fall of Camelot, and as Morded, talking to an invisible dying Arthur explaining his side of the story.
It was this idea, of the fall of Camelot, that drew me to the story: I've been a casual fan of the various iterations of the story of Arthur and his knights since I was young, from everything from Monty Python and the Holy Grail to Marion Zimmer Bradley's The Mists of Avalon, although I never have read Mallory's Le Morte d'Arthur, which is the inspiration of this piece.
The conflicting styles of the pre-show continued, as low plays both characters in both modern day fatigues and a "Jesus Loves Me" t-shirt as Mordred and a World War II (I think) style long coat (but with a cassette player) as Lancelot.
low does an awesome job of flipping from one character to the other, with short segues of transformation being hidden by the voiceovers of Charlie Bethel as Sir Gawain, speaking of those last days of that one brief shining moment that was known as Camelot. Lancelot is, as to be expected, more proper and more driven by the fire of wanting to do what is right. Mordred, however, with a genteel Southern accent, is more concerned with explaining how he was just the victim of his blood - "that Pendragon blood" - and being scapegoated for pointing out Arthur's failings as a king and husband.
The production delves into our reasons for doing things, and the reasons for war. "Peace is just an image", Mordred (if I remember right) states, and I'm not sure he's wrong. After all, history is measured by the battles, not by the quiet.
But in the end, while I was impressed with low's acting, I just wasn't that moved by the piece as a whole. It got a little too pretentious for me, delving into spoken word and poetry, becoming too aware of itself as a presentation and the acting in it. If low could dial the ending down a smidge, I think it really has a chance to shine.
"Camelot is Crumbling" has three more performances, and tickets are $10. More information can be found at http://www.kcfringe.org/2011/artist.php?ID=84.
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Science Fiction Animated Features Rating: 5
The Rocky & Bullwinkle Horror Picture Show Parody KC Fringe Festival
"Rocky and Bullwinkle Horror Picture Show" (Parody) is produced by Egads! Theatre Company
I have to give kudos to the writer of this parody. To be able to turn a suggestive, offensive cult classic movie into an even MORE suggestive, offensive musical parody to the characters of Rocky and Bullwinkle captivated me. While it follows the same storyline as "The Rocky Horror Picture Show" this show has its own uniqueness and originality. The giant television screen added to the cartoon feel of the show.
The entire cast as a whole had so much energy and excitement you almost didn't know where to look since there was something going on everywhere on stage. Doogin Brown and Rachel Pallente particularly stood out to me as Cowpatty and Missy. Their poignant one liners and quirky attitudes add to the almost childish nature of their characters.
One of the interesting aspects of the show was the choreography and costumes. Staying true to that Saturday morning cartoon feel, the costumes were very bright and gave a child like aspect to the show. The same goes for the choreography. That doesn't mean I would suggest bringing your children to come see this show. While there were some childhood themes in the show, this musical is meant for adult eyes only. The costumes and dancing are so suggestive, so sexually oriented. Many of the jokes and funny one liners are almost all suggestive and offensive. While funny, I wouldn't bring your children to see this show if I were you parents.
While I felt this show had a lot of charm and hilarious moments, there were some minor issues that stood out to me. The spot lights were rather erratic. There were often times when people were in the dark when they shouldn't have been. The chorus and music was also very overpowering at times. While it sounded very nice, I wanted to hear the soloist singing. I couldn't at times though.
While there were some small problems, the cast and crew of "Rocky and Bullwinkle Horror Picture Show" gave an outstanding performance. It's one that will shock you, make you feel awkward, but also give you a night of laughter and fun.
"Rocky and Bullwinkle Horror Picture Show" will be playing at the Off-Center Theater throughout the week. If you would like to learn more, or buy tickets for this show, please visit www.kcfringe.com
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Almost funny, but Rating: 2
Jesus, Shakespeare, and Lincoln Walk into a Bar KC Fringe Festival
but unfortunately, too much got in the way of its humor. The actors delivered their lines with little energy, and the lines were poorly enunciated. Lincoln was written as an over-the-top gay caricature - one, I might add, that is dated enough it made me as uncomfortable as if he'd come on in black face.
There were certainly funny moments, but they seemed to be milked for twice as long as they should have been worth: Double entendres played twice, karaoke one verse too long...
At the end of the show, it made me smile, it made me laugh, but I wanted most of my money back.
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What a great show Rating: 5
Rubble KC Fringe Festival
the window of the store front was used in the show. great singing and caused me to think about what would happen if you continue with the same routine everyday and don't change. Go see it. Live music for the show was a great touch.
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Fantastic Artistry Rating: 5
The Mask of the Broken Heart KC Fringe Festival
This is the best show I've seen at the Fringe. The mask work is so creative and remarkable that I often forgot to follow the potboiler story, not because the story wasn't well-written and entertaining, but because I was too busy marveling at the elegant technique.
In addition to a wonderful performance by a gifted solo artist, "The Mask of the Broken Heart" sports a first-rate sound design and several lovely visual moments. I highly recommend. This is artistry, folks. See it if you can.
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Thieves of Flight Stole my Heart and my Breath Rating: 5
Tordu Vol: A Twistsed Tale of Flight KC Fringe Festival
WOW!
I wish I could have taken a picture of my face during the performance. It looked like this: mouth hanging open, breath held, and eyes as round as saucers.
The concept was astounding. During the 1st two numbers there were major computer complications. At first I wanted to say great concept but problems pulling it off. None of that matters. They could have done the show with the house lights up and zero music and it still would have wowed me. I was actually glad that I stood like a sardine in the hot entryway for 20 minutes. They could probably have gotten away with slapping me in the face a few times and I'd still be a fan.
I have 3 favorite parts. Rachel McMeachin blew me away with her performance on the ribbons in Expansion. Hayley Cherveny stopped my heart with Emergence as she danced in a sheet suspended from the ceiling. But hands down the most extraordinary piece was Le Coeur with Stephen Plante and Nichole Raab. This touched my soul. I will remember this for a long time. I could actually feel the emotions and they did difficult maneuvers that with one wrong move could have been fateful.
You must see this show. This is what Fringe is all about. These performers are more than likely the strongest and most flexible at the festival. You will NOT be disappointed.
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THIS at the Living Room Rating: 5
This KC Fringe Festival
Two strangers meeting on a park bench and holding a
conversation probably doesn't happen anywhere but on a
stage. In the late '50s, Edward Albee did it in THE ZOO
STORY, to explore the loneliness and isolation of the
20th century. Since this was before advent of cell
phones and iPods that rule the 21st century, the
likelihood of two strangers today meeting in a park and
holding a conversation seems as likely as it raining
pennies from heaven.
In Bryan Moses' THIS, playing at the Living Room, two
strangers do meet on a park bench. To defend love. Or,
rather to debate on whether they will get married.
Ethan (Tyson Schroeder) is convinced that Aimee (Andrea
Guertsen) is the one. Understandably, Aimee, just
passing through the park to get a cone at the local ice
cream parlor, isn't so sure after meeting this strange
young man. But, after an amusing exchange on time and
when it actually starts, she agrees to give Ethan five
minutes to argue his case.
Moses, who played Barry Champlain in the Living Room's
production of TALK RADIO, has, as a director, opted for
material that explores the dark side of human
interaction. David Harrower's BLACKBIRD, featured the
stellar performances of Scott Cordes and Vanessa Severo
as two ex-lovers, who, it's revealed, were 40 and 12,
respectively, when they were together. Neil LaBute's
THIS IS HOW IT GOES, a multi-racial love triangle of
quasi-Rashomon interpretations augmented by Moses'
inventive staging.
If naming his play for the first word of the LaBute
play seems an invocation of one of Moses' favorite
playwrights, then it's a mild one. THIS just manages to
keep the audience from detecting anything that an
intelligent woman such as Aimee might see as dangerous,
therefore prohibitive, in staying on the bench. Though
we're given a glimpse into Aimee's background – like
her being gun-shy since her last relationship ended –
we're not given anything about Ethan's backstory other
than his certainty in the here and now.
His rationale is that they have the rest of their lives
to get to know each other.
Like Aimee, you and I might have to listen just to make
sure we're believing our ears. Schroeder's Ethan, whose
introduction to the audience is a clever staging
conceit that will reinforce the real time structure of
the play, is an ideal. As much as we want to believe
in the randomness and perfection of choosing to love
someone and dedicating oneself to sustaining love, the
ideal is a difficult one to flourish.
Both Guertsen and Schroeder deliver pitch-perfect
performances of characters whose motivations are,
clearly, to inspire the next thing either of them will
say. Love in real life should have such clarity. And
there should always be an Ethan to defend love, no
matter how seemingly sudden and arbitrarily it's
visited upon us. THIS plays at the Living Room, 1818
McGee, through Tue., July 26. Tickets are $10 with a
Fringe button at the door or in advance,
http://www.kcfringe.org/2011/artist.php?ID=163.
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Moderately Entertaining Rating: 3
Jesus, Shakespeare, and Lincoln Walk into a Bar KC Fringe Festival
This show had its moments, and was worth my time/money to watch. But it wasn't anything special or magical. The actor playing Shakespeare was the weakest. Jesus was the star of the show. Lincoln was funny, but challenging to accept. 
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Kara Lindsay has acquired an unusual distinction for a young actress — she spent about half her professional career playing one role.
more at kansascity.com
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"I dish-appoint you" Rating: 3
Cowtown KC Fringe Festival
As usual, you can also read this review at my blog: http://angiefsutton.wordpress.com/.
Improv is a tough beast of a performance. People's expectations are high, especially if they're familiar with Who's Line is it Anyway? (I preferred the British version myself), and no two shows will ever be the same.
The July 23rd presentation of "Cowtown - A Holy Cow! Improv Show" was actually two improv companies, Holy Cow! Improv and Babel Fish, and was a spotty batch of an evening.
"When we drink, we should drink as a family." After a couple of warm-ups, Holy Cow! Improv did what is known as a Harold. A longform style, a Harold (according to Wikipedia) is a series of skits that develop organically from each other, where the content (based on a suggestion from the audience) grows from the previous bits.
The group, comprised of two women and three men, did do a good job of keeping the various characters and scenes going. They did seem to be on top of when the scene just was in a rut, but there were too many ruts for me and the comedy was sporadic at best. There were some good bits, especially the rap, but in the end I was whelmed.
"It's the Heisenberg theory of adultery." Babel Fish, comprised of four men, also did a variation on the Harold, although they readily admitted that it differed because they wanted to change the rules. If you recognize anything from their name, you will not be surprised that they had a high geek quotient to their content, even doing about five minutes worth of physics jokes alone, which I really enjoyed. I also liked their beginning, which was a series of bits about an audience suggestion - this time about forks. But again, when it wasn't working, it REALLY wasn't working, and the scene was brought to a screeching halt as a result.
"This plot makes no fucking sense!" Improv is like beauty, and is in the eye of the beholder. While I didn't particularly find this presentation to be especially funny, the lady in front of me couldn't stop laughing. The July 23rd performance was a little rough, but as I said no two shows are the same. So, if you're a fan of improv, it might be worth the chance. Holy! Cow has some control of the improv beast, and it's the possibility of it going feral that makes it worth the watching.
"Cowtown - A Holy Cow! Improv Show" has three more performances, and tickets are $8. More information can be found at http://www.kcfringe.org/2011/artist.php?ID=100.
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Now you see it, but you can't!
Rating: 1
Grimm and Bare It
KC Fringe Festival
I stood outside of the Living Room from 9pm until 10pm in the heat. I was 3 people away from the door and was finally turned away.
I don't remember Fringe ever selling prepaid tickets before. If you wanted to see a show, you stood in line and waited. The prepaid tickets are a joke. I will explain later.
NOTE TO READERS: No matter how good a show is, it doesn't matter if you are unable to SEE it.
Here is something Fringe will not tell you. I have loved the fringe for years, but here is the situation. Prepaid tickets got in first. That makes sense. However, here is the secret. Some people even though they had prepaid tickets were STILL unable to see the show. Because they oversold.
The crowd was down the block and there were easily 70 people turned away. Now if a show is SOOO popular why not give it more than 5 shows. Let it play every night if you have to.
If you REALLY really have to see this show, here is what you must do: Buy prepaid tickets AND get there at least 1 hour early. Bring a lawn chair and a fan and pray for the best. If you hate crowds and lines and heat stay away from this show.
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Battle of the Sexes heats up at BDU's "Rumble"
Rating: 4
Rumble in the City
KC Fringe Festival
Like most red-blooded American men, when I am looking for entertainment at 11:00 o'clock on a Friday night I have a few criteria: 1. Blow stuff up. 2. Make it funny. 3. Boobs. 4. Fighting. But, not necessarily in that order. Well, Burlesque Downtown Underground provides three out of four with the KC Fringe show "A Rumble in the City"! This is a showdown between the ladies of BDU and the gentlemen of the BOYlesque troupe. And believe me friends the gauntlet and about every other piece of clothing you can imagine has been thrown!
Strangely enough while watching and enjoying this show I kept thinking about Opera. I found similarities between Opera and Burlesque. Does this make me the first reviewer to compare Burlesque with Opera? (We won't discuss the Opera Burlesque, sometimes called the naughty-Opera- that's another article all together.) You see for me Opera has always taken all of the best of the performing arts and blended them together in a sort of super-show. Opera has acting and theatricalism, great music and singing, dancing, great visuals and effects, gorgeous costuming and even outrageous millinery (that's the fancy-pants word for hat making). How does this compare to a little Fringe festival Burly show?
Marisa MacKay and the minds of BDU have gathered together some of the best of our local KC performing arts scene and not only blended them together but also allowed them to shine. They dance, of course, but they also sing, play instruments, wear (and not wear) beautiful costumes while bringing their unique individual talents to the BDU audiences. In essence it creates a burlesque super-show. The fun these talents have creating collaboratively with other creative people literally oozed from the show and infected the audience. Letting the boys and girls play together provides an added degree of energy and comedy to the already amped up BDU performance. The half naked gals and the boys in their barely-there costumes will titillate audiences of any persuasion; but, this production will also entertain them at a level that compares to any other theatrical production in the Fringe. The evenings hostess/referee "Madame" Mackay certainly has her hands full with this monster of !
her own creation!
There is still time to catch a performance of "Rumble In the City" Thu 7/28 @ 8:00 pm and Sat 7/30 @ 9:30 pm.
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My Burlesque cherry popped by an excellent troupe!
Rating: 5
Rumble in the City
KC Fringe Festival
This was only my third show at Off Center Theatre, but my first burlesque show and I'm hooked. The troupe titillated and amused us thoroughly with their sexy hijinks. I particularly loved the slow-mo geek and geekette attempt at a strip-off, and the clarinet-trombone competition (you read that right) with their dancers in a box - think snake charmers. Burlesque Downtown Underground gave the crowd their money's worth. Looking forward to seeing them again in the hopefully near future!
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As hot as the heat advisory...
Rating: 5
Spiral Dream
KC Fringe Festival
The event is staged in the western parking lot of Union Station, by the Planetarium. The setting sun, the hot blacktop radiating heat accumulated from the day, the sounds of freight trains carrying coal, set the multi-sensory mood. I felt like I was in the middle of nowhere, but at the same time, in the back lot of someone's loft. The show started late, on account that many people tweeted, "WTF? Where r u guys?" and so we waited for the late comers to find us.
Pretty Boy Coy, the juggler, was the warm up act. Dressed in red pants and matching Converses, a black vest and a red fedora, he was a funny dynamo. "Most people, when they have to do something, will try to find the easiest way to do it. But jugglers, think, 'how can I make this HARDER?' " From fitting himself through a 13" wide tennis racket to balancing on a ball or rolling board while juggling, Pretty Boy stepped up the audience's challenge to do it the hard way with some applause help along the way.
Rhythmic Flames (formerly Vesuvius' Tribe) dancers were dressed in short vests baring midriffs, long pants, leggings and hip scarves, flattering the wide assortment of body types but also very functional. When dancing with fire, you really don't want loose clothing to catch on fire. The weather was hot enough, but those sitting close to the boundary could feel the intense heat from the flames at times. A viewer can only imagine how hot it can get when dancing with fire.
Using a variety of cool fire-bearing props, the dancers created the illusion of dancing with fiery fingertips, fans, butterfly wings, swords, swinging maces, yo-yos and medieval banners. Well choreographed, each dance had a distinct theme, ranging from hand to hand combat battle, a happy romp to a mystic butterfly. One of the highlights for me was when one of the dancers would take a swig of what was probably lighter fluid, and throw fire from his mouth, igniting the suspended looping rope above. The rope was dripping fluid throughout the performance and by the time he breathed fire, there was no more accelerant. The rope did not catch on fire right away.
This event is kid friendly and it definitely captured my 3.5 year old's attention. The delay and hot weather was a bit difficult for him, but the informal setting and freedom to run around the parking lot helped a lot. There was on hand, several fire extinguishers and heavy blankets, should the need arise. I told my son that these mommies and daddies had special training to keep their bodies safe and he was not to try this at home. When asked if he liked the show, he said, "When I grow up, I want to go to fire dancing school and I promise to keep my body safe" Oy vey. If that is any indication, this was a great show. Bring a lawn chair and cold drinks and enjoy the show.
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Disappointing Burlesqsue
Rating: 1
Evolution of Burlesque
by KC Fringe Festival
"Evolution of Burlesque," right off the bat, was just a weak production on the night of Friday, the 22nd. The lady who "vamped" before the show started (and who would continue to do so throughout the transitions of the show) was cute enough, but not really funny or charming enough to hold the position of "MC." But that forgiven, the audience transitioned into the show with a somewhat optimistic feel as to what they would soon encounter. However, what they encountered were women who seemed to have little dance experience, no singing experience, and a slightly obvious inability to walk in heels.
The first performer, "Nina Ross," as best as the audience could understand the name (given no program), was an almost-explosive performer. If she choreographed her own pieces, she did a fairly good job: such moments as the one occurring during the lyric "New Dress" were pretty much magical. Sadly, though, this particular performer's pieces (also including "Material Girl") were anti-climactic and incorporated too much time-killing (strutting around with no purpose) a little too often.
Lillith Moon's (again, apologies if the name is incorrect) first piece was a representation of a female taking on the man's role in romancing another female – a hot-enough concept, but still not quite what it should have been. The choreographer missed the boat on the potential comedy of this piece. The entire number was played far too seriously for the idea they were trying to sell. By the way, Nina Ross, who sat in a chair the whole time, stole the number with her adorable responses to Lillith's "male" come-on's. Lillith's second number, "Put a Spell on You," showcased a very sexy song, but the performance did not live up to the sound track. The choreography and quality of performance was monotonous, bland, and (it's tiresome having to repeatedly use this word) anti-climactic.
The lady who performed "Foxy Lady" was not properly introduced – and what a shame because she was one of the highlights of the show. Finally, an excellent song, and she was well-enough equipped to handle the sexuality of the song. However, the last quarter of this performance was also dedicated to far too much "time-killing," including nothing else but clumsy walking - nothing deserving of the audience's full attention.
The MC's number, "Rolling in the Deep," started off interestingly enough - after all, she was being left at the altar. But the number soon turned into a lip-synched disappointment. The emotions that a female would feel after being left at the altar were neither not fully exhibited in the strip-tease nor properly acted by the performer. Along with questionable make-up application and little to no content, the performer seemed far too distracted with how much thigh she was showing (by constantly fixing her outfit) – a particularly odd thing to worry about in a burlesque show.
The story line for the mimed number was a bit rocky, but forgiving yet another confusing performance, the audience saw a fairly cute female playing the male role in a relationship. The female who was playing the male role had some very charming moments, but she failed to completely give in to the "mime role," and many awkward moments were a result of her uncertainty in the emotion she was supposed to be playing in any given moment.
The most entertaining part of this show definitely belonged to the gentleman who acted in the Elvis song, "Satisfy Me." Admittedly, the performance kept the audience's attention and was comically valuable. But, ultimately, like the rest of the show, it was anti-climactic and was missing several things that could have made it great.
This show was just flat-out weak in almost all of its areas. It was weak in its transitions. The music cues (sometimes the wrong cue) and lights were weak. All the ladies seemed to struggle a little too much with their clothing in their attempt to get undressed. It consisted of weak dancing, weak acting, and contrived ideas. Maybe 2 of the performers even knew the entirety of the finale dance. The audience was not only worried about these stumbling heeled-women on chairs, but also about the spill that was never cleaned up which posed a threat to 3 or 4 numbers after its occurrence. This $10 production left this reviewer wanting either a whole lot more or wishing she had seen another production entirely.
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"Caldwell's" is timely entertainment.
Rating: 4
Caldwell's Bomb
KC Fringe Festival
The program form Bill Rogers' "Caldwell's Bomb" contains the following disclaimer: "Caldwell's bomb is a work of fiction. Any similarity to persons living or dead is entirely coincidental." This is important for the cast and crew of this show as the characters we see on the stage might not be that far from people we know! The play is set in a small rural southwest Missouri town that is struggling with a lack of jobs and a lack of opportunity. Sound familiar? Without giving too much away I will say that these are a group of people who have reached the peak of their frustration. The characters portrayed by Kansas City mainstay actors Scott Cordes, Richard Alan Nichols, Cheryl Weaver and newcomer Matthew Melson seem so close to people you know they might be relatives. At least they might be if you grew up in the Midwest.
Several times during the 90 minute show I wondered if Melson appreciated the free acting clinic he was receiving. His co-stars played each word they spoke, every line they listened to, every period, every comma and every pause with a commitment that was worthy of respect. The few line hiccups they had will certainly smooth out through the run along with what appeared to be one missing prop?
It is often said but in this case may not be more true: this is one you do not want to miss. The show is dark in theme but still has plenty of laughs, a couple of lines that made audiences groan and even at times when they wanted to boo and hiss. What more can you ask for?
"Caldwell's Bomb" plays at the Unicorn Theatre 3828 Main Street Sun 7/24 @ 5:00 pm, Mon 7/25 @8:00 pm, Wed 7/27@ 8:00 pm, Fri 7/29 @ 6:30 pm and Sat 7/30 @ 9:30 pm. Don't worry the cash bar is well stocked and it remains nice and cool inside!
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DR. COMEDIAN
Rating: 4
A Scientist Turned Comedian
KC Fringe Festival
You would never expect a man with a Ph.D. in Biology to be a comedian. Then again, you would never expect a comedian to have a Ph.D. in Biology either. YouTube sensation Tim Lee thinks this is possible. Traveling the road as a full time comic, Lee left the world of scientific academia to pursue his true love: comedy. Traveling the world, Tim Lee delights audiences across the world with a combination of funny one liner jokes mixed with scientific phenomena.
I was able to attend one of Tim Lee's performances at the Unicorn Theater. I've been to stand up comedy performances before, but never one where the comedian was a Doctor of Biology. It was that added twist to Tim Lee's story that intrigued me and made me want to see this "Scientist Turned Comedian" performance.
Now, Tim Lee is a hilarious guy and the act that he puts on is terrific. It makes me wonder if he would still be a funny comedian without the scientific background. Either way, his jokes were hilarious be it about how hair collects on a bar of soap to how his standards drop the longer he's been single. He explains everything in a poignant way through a series of PowerPoint slides.
There were some technical issues during the performance though. Throughout the entire show, his mike continuously refused to work properly. There were many times I was unable to hear him because his hand mike wasn't working. Personally, I found it repeatedly frustrating, but Tim Lee just used the problem as a way to include more jokes in his act, so it wasn't too bad.
Going into this show, I didn't really know what to expect. A part of me almost expected something big and flashy; something that maybe Bill Nye the Science Guy would put on with chemicals and fun experiments. This show is not like that. It's completely different. I actually prefer that. Tim Lee takes science and comedy and combines it into his own creative performance. If you're looking for something fun to do one night, I would thoroughly recommend attending Tim Lee's performance of "Scientist Turned Comedian." As the New York Times rightly wrote, it's "very cerebral comedy."
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Here's what I love about the KC Fringe Fest: You never know when you'll hit pay dirt.
All
I knew about "Worth" as I took my seat at Union Station is that it was
written by Forrest Attaway, an actor whose work I've admired in two
riveting performances for Metropolitan Ensemble Theater — as Teach, the
garrulous small-time hood in David Mamet's "American Buffalo," and the
doomed Jamie Tyrone in Eugene O'Neill's "Moon for the Misbegotten."
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From the Rubble Rating: 5
Rubble KC Fringe Festival
Wow! Sitting down to write my thoughts on Heidi Van's window play "Rubble" with original music by Peter Lawless was just that. After watching this amazing blend of dance, performance art, and music I was left breathless. THIS show is what Fringe is about: the delicate flow of story driven by the ethereal melodies that were weaved between the choreographed movement of the masked beings and slice of life surreal performance of the actors behind the window created a stunning work of art.
Watching the actions of Andy Perkins and Coleman Crenshaw as they performed the almost cog and gear actions of their "Daily Grind" behind the window was not only comical at times and a commentary on day to day life, but also a revelation on how sometimes something small can cause us to see the world in a brand new way. When Perkins' character had that moment of realization and found his new world outside of his normal grind, he shows us the intrigue and curiosity of what ifs and how nows, as Crenshaw keeps ticking away only to get more ticked as his counterpart changes their normal rhythms.
While all this is happening behind the glass windows, masked beings strive and struggle to keep going, to survive and rebuild, to collect the pieces of lost hope and broken dreams. I have too few words to describe their actions: the heart only feels for them, not vocalize. When they move, they show the strain of the burden, the confusion of what to do next in an ordered timed stride. Watching the dance and pantomime of these performers left me breathless and as distracted as Perkins trapped behind the glass.
And then, we have the original music by Peter Lawless. I have always believed that music holds sway over the soul. Lawless's score led us through the performance as if holding our hands, guiding where the story led but without making us feel we are walking alone. The haunting blend of keyboard, guitars, and saxophone merged to create an air of both worlds, of those masked beings struggling with the task at hand and Perkin's desire and curiosity, being the unspoken words that past between the performers.
The Performance of "Rubble" is one of the most beautiful and artistic pieces I have seen done at the Fringe Festival in years. The skillful creation of each individual part that was used in the construction of the whole presentation made this work of art a gem of artistic treasure. A must see for every person who attends the Fringe. Performance times and dates can be found at www.kcfringe.org or at Fringe Central.
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 Warping the West Rating: 2
How the West Was Warped KC Fringe Festival
The Seamier Sid Players and Cross Currents crew brought their presentation of "How the West was Warped" to the folks at the Off-Center Theatre with the flair of an old time church talent show and the humor of those other folks that skipped church talent shows and slept in on Sunday mornings. This rowdy group of performers brought that Midwest humor out and showed it to the crowds with mixed reviews.
At times the troop seemed right on the game, delivering one liners and shtick comedy that kept the audience laughing, but then there were other times where the pauses and stops killed the flow and lost any momentum the show was riding on. I expected some historic humor and goofiness but some of the pieces to me felt out of place. Some of the scenes didn't fit the overall Western feel. What do two sweet old ladies selling dope at Woodstock have to do with the West? What does a pee test or Gay Noir have to do with anything? While some of these bits were funny to me felt like they hurt the flow of story, it did give as much as the title suggested.
This show was nice to sit in and see, but felt like it needed more work to be Fringe ready, although I do give high marks to the band who kept the show rolling over the many rough spots. Also the performers seemed to be having a good time, which counts for something. Performance times and dates can be found at Off-Center Theatre at Crown Center times can be found at www.kcfringe.org or at Fringe Central.
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Hexing Hitler puts a spell on you Rating: 3
Hexing Hitler KC Fringe Festival
Another exciting year kicks off for this 2011 KC Fringe Festival. Watching folks wander toward their chosen shows and events with an air of excitement and eagerness couldn't help but make the swirling crowds feel charged with electricity, surging out to connect with the many creative outlets.
This year's first review took me to a Fringe favorite of many seasons, Bryan Colley and Tara Varney. And this year's presentation, "Hexing Hitler", has proven the writing talents of Colley and Varney to entertain and make you think. What would happen if a group of dabbling occultists decided to try and help out the war effort? Could a hex be done if the right words are chanted and enough rum consumed? "Hexing Hitler" tries to recall what happened on that cold winter night in 1941, when a "Life" magazine photographer takes photos of a drunken writer, his worried for his well being wife, a sly socialite, and her well meaning but egocentric boyfriend call upon mystic powers to bring the downfall of Adolf Hitler.
While the performance was enjoyable to watch and the story entertaining, I couldn't help but watch Melody Butler as Ruth Birdseye bring a life and depth to her character that drew the audience to her performance much like the "mystic power" to cast the hexing blow against the Reich. Her interactions with the rest of the cast seemed to draw out a deeper "mojo", making the scenes almost ebb and flow at her command. Kipp Simmons as William Seabrook made me hearken back to old black and white monster movies where the in the known professor shares back story and direction to drive the story forward. His presentation of his adventures could have been overdone, making the B-rate film feel of the piece fall apart, but Simmons gave it a life and focus that kept the cheese out and texture in.
Off-Center Theatre at Crown Center was a perfect location for this show. Being close enough to the performers lets you feel almost a part of the circle of magic cast by characters and actors alike, but not cramped and uncomfortable to distract you from the story. Another plus of the location is the fine bar available to patrons wanting to get in. But one of the best parts of this show was the swag you could buy. For $5, the crew was selling miniature Hitler voodoo dolls. These micro-dictators are a sure to be sold out fast but not as fast as tickets to these performances. Be sure to catch one of the six more performances at the Off-Center Theatre at Crown Center. Times and dates can be found at www.kcfringe.org or at Fringe Central.
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It was only a matter of time... Kansas City was just too small for TWO BDUs. Presented at the Off Center Theatre in Kansas City with the Kansas City Fringe Festival.
Burlesque and BOYlesque Downtown Underground bring you a performance that embodies the game of life humans have been playing throughout the centuries: battle of the sexes, burlesque style!
7/22 @ 11:00 PM
7/23 @ 8:00 PM
7/24 @ 12:30 AM
7/28 @ 8:00 PM
7/30 @ 9:30 PM
Length: 60 minutes
Type: Performing
Genre: Dance / Burlesque
Audience: Mature Audiences
Content Warnings: Nudity
Ticket Price: $10
www.KCBurlesque.com/BDU
www.KCFringe.org
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The Helen Hocker Center for the Performing Arts Bath House Players presents "The Secret Garden, Spring Version," a one-act, 70-minute adaptation of the Broadway musical, July 22-31, 2011, in the Helen Hocker Theater in Gage Park. 
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Two of John Shipp’s nephews describe him as “the life of the party,” something they knew prior to even making a 90-minute documentary about Shipp’s career in film distribution.
more at The Examiner
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"Truth is what we say it is: that's journalism." Rating: 3
Hexing Hitler KC Fringe Festival
As usual, you can also read this review at my blog: http://angiefsutton.wordpress.com/.
"If I'm going to do this thing, I'm going to do it drunk." So says author William Seabrook, played with panache by Kipp Simmons in "Hexing Hitler", written by Bryan Colley and Tara Varney - authors of last year's Fringe favorite "KHAAAAAN! The Musical".
The story is about five people in 1941 that gather in a remote cabin to put a curse on Hitler. Kudos on the authors, as the research (both on the actual event and in the witchcraft ideas used) is very well done, although I wondered why there was no mention of Hitler's own supernatural beliefs - as his fascination with the occult was near legendary. There's a lot of exposition given in the first part of the story, but it's done in a fairly entertaining way to where you don't really mind being spoon fed a bucketful of information in such a short period.
The star of the show ends up being Melody Butler as Ruth Birdseye, a young debutante-style lady who is used to getting what she wants, and thinks this is all a lark - until the concept of what they're trying to do finally overtakes her. She started out a little too over the top, trying too hard to be the social butterfly, but as the story continues, she really starts to shine. It helps that Simmons has great chemistry with her.
Doogin Brown, as Birdseye's intended romantic entanglement for the evening Richard Tupper, plays against Butler well, making what ends up to be a struggle for power and attention between the two one of the highlights of the show.
Parry Luellen as photographer Tom McAvoy does a good job of playing the distanced journalist, not wanting to be a part of what is going on but still being entangled in it. And the props person in me squeed at the old-fashioned camera they got for him.
Sarah Mae Lamar as Constance Kuhr, girlfriend of Seabrook, is probably the weakest of the batch. Her portrayal of concerned girlfriend, constantly harping on Seabrook's drinking, came across too rehearsed. Her acting was off the mark, and the show slowed down considerably whenever it was just her and Seabrook as a result.
The show was uneven at best. It wasn't a bad show - and had some really good bits and lines. But it wasn't outstanding either.
"Hexing Hitler" continues for six more performances, and tickets are $10. More information is available at http://www.kcfringe.org/2011/artist.php?ID=22.
read the review at KC Stage
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Now that those who staged or attended the 78th anniversary Topeka Fiesta Mexicana have had a chance to rest up and cool down — provided they are at home in air conditioning — here is a chance to trigger some memories of the 2011 fiesta by visiting CJOnline.com.
more at the Topeka Capital Journal
Rising Tejano star AJ Castillo performs July 16, 2011, at the 78th anniversary Topeka Fiesta Mexicana, a fundraiser staged by Our Lady of Guadalupe Church to support the Holy Family School in Topeka's Oakland neighborhood.
Flashback -- lead guitarist and vocalist MIke Cowell, bassist Chuckie Pain and drummer Jake Bartlow -- perform "American Woman" July 16, 2011, at the Topeka Fiesta Mexicana.
Mariachi Girasol performs July 15, 2011, at the 78th anniversary Topeka Fiesta Mexicana.
Mariachi Habanero performs July 16, 2011, at the 78th anniversary Topeka Fiesta Mexicana.
Beans and Cornbread perform July 15, 2011, at the 78th anniversary Topeka Fiesta Mexicana.
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Kansas City 7-12-11
Soundtrack; Catherine by Shockwavesound
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This is a professional position in the Department of Economic Development through managing and coordinating assigned performing and/or fine arts grant programs for the Missouri State Council on the Arts.
more at the Missouri Arts Council
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The UMKC Conservatory of Music and Dance is pursuing an ambitious proposal to construct a downtown Kansas City campus and boost its reputation by associating with the Kauffman Center for the Performing Arts.
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Although friends in real life, Karen Hastings and Carole Ries become food-fighting enemies when they play rival cooking show hosts in Auburn Community Theater's production of the Caroline Smith comedy "The Kitchen Witches."
more at the Topeka Capital Journal
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 I took my kids to Coterie Theatre earlier this week and we saw The Wiz. What a show!! All 3 of us loved every minute of it. The most amazing thing– by far– is the fact that… more
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CONGRATULATIONS to our 4 winners! Each winner receives a 4-pack of tickets to Midwest Kids Fest. You will be contacted via private email message with details. Thanks to everyone for entering and for providing the rest of us with some… more 
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Dysfunctional: Life Journeys of a Second Generation Jazz Musician, makes the spirit of Ahmad Alaadeen accessible to anyone seeking communion with the late saxophonist. The new oral autobiography serves as the ultimate insider jazz hang. It's essential reading for every serious student of Kansas City jazz history.
more at Plastic Sax
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In recent years, the venerable family-audiences troupe has operated out of the Metcalf South Shopping Center in Overland Park. But its roots still run deep in the south Kansas City neighborhood where the theater company began. And that’s why when it came time to submit application materials to the New York International Fringe Festival, founder Jeanne Beechwood mailed the packet from the old Martin City post office on 135th Street.
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Members of Kansas University’s School of Music are in Germany for the summer, working on the performances of two operas at a music festival in Eutin, Germany, Lawrence’s sister city. Music graduate students are involved in two operas in Germany — “Hänsel und Gretel” and “Don Giovanni” — as part of the music festival.
more at the Lawrence Journal-World
and at Kansas University
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Music Hall Disaster Rating: 1
Children of Eden Piane Productions
Piane Productions, a production company few are familiar with may have just ruined any chance at having a successful (or any) theater career in the Kansas City area. The only way Charlie Piane is going to come back from this horrendous disaster is if he takes a couple of years off and changes his name. Piane must have been quite delusional when booking his current season-- this was by far the most disastrous theatrical experience I have had the opportunity to witness in Kansas City in the last ten years.
The set looked like an over zealous high school production of West Side Story-- it completely took away from the story telling and performers. The costumes were mediocre at best; it looked like most actors chose their costumes from their closet. The choreography would have been adequate had any of the cast been skilled enough to properly execute it-- however that was not the case. The vocals were nice enough, however the music hall is not a forgiving space and every wrong note, or pitch problem was completely audible. That is, when the orchestra was not completely drowning the vocalists out.
The only thing that saved this production were the performances by Nathan Granner and Cary Mock. These two really carried the entire show and it killed me to see such talented performers as a part of this awful show.
Overall, aside from the aforementioned Nathan Granner and Carry Mock, the performance was that of a mediocre high school theatre group. It was hard to watch, and I can only imagine how the performers felt.
read the review at KC Stage
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Known for high-quality productions and successful collaboration with Kansas City theatre companies, UMKC Theatre announces a stellar line-up of productions for the 2011-2012 season. Back by popular demand are the design-your-own ticket packages and Monday Industry Night performances. For the second consecutive year, UMKC Theatre will co-produce an American masterpiece about war with Kansas City Actors Theatre and The National World War I Museum.
"We have an exciting season planned this coming year. We will continue our theme of 'Kansas City's Best Kept Secret…The Word is OUT!' by presenting three graduate and two undergraduate productions in addition to four co-productions with professional theatres," said Tom Mardikes, Chair of UMKC Theatre. "For over 30 years, UMKC Theatre has produced innovative, top-notch plays for theatre-loving KC audiences. The word is OUT – so come see what you've been missing!" said Mardikes.
The Graduate season opens in October with the hilarious Roman classic "Comedy of Asses" under the direction of Theodore Swetz and Stephanie Roberts. UMKC Theatre will pull out all the stops with two productions in February: "The Last Days of Judas Iscariot" at Studio 116, Feb. 3-19, and the musical "Billy Bishop Goes to War," Feb. 10-26, at The National World War I Museum. Three additional co-productions with Equity theatres are scheduled, and the season ends with William Shakespeare's "The Winter's Tale" in April at the Helen F. Spencer Theatre.
Successfully launched last season, theatre goers may design their own ticket package by choosing from any of the MFA and Undergraduate shows at UMKC Theatre the productions, dates and times that best fit their schedules. Four show options are available, ranging from $24 to $45 per package (see the Ticket Information section for options and prices).
Traditionally on Monday nights, the stage is "dark" with no performances. However, UMKC Theatre will feature back-by-popular-demand Industry Night on Mondays so that theatre professionals and others will have the opportunity to see UMKC Theatre performances. Tickets are only $10 each for all UMKC Monday night campus shows and are open to the general public.
MFA Productions
"Comedy of Asses"
This Roman comedy classic still has audiences laughing 2,200 years after it was written by the "Father of Comedy," Titus Maccius Plautus. There will be singing, dancing, pranks, and puns as audiences see the world upside down in this tale of greed and debauchery. The production will preview Oct. 21-25; open formally Oct. 26 and run through Oct. 30 at the Helen F. Spencer Theatre, Olson PAC.
"The Last Days of Judas Iscariot"
This daring and wildly comic play by Stephen Adly Guirgis was a sensation in New York and London. Director Barry Kyle will put his own brand of creativity on this performance as the courtroom drama plays out in "God and The Kingdom of Heaven and Earth vs. J. Iscariot." The production previews Feb. 3-7 and runs Feb. 8-19 at Studio 116, Olson PAC.
"The Winter's Tale"
Written by William Shakespeare, this tale of two kings who are childhood friends turns dark as deceit and misunderstanding threaten one king's family and the other's life. Directed by Barry Kyle, the show previews April 20-23 and runs April 24-29 at the Helen F. Spencer Theatre, Olson PAC.
Undergraduate Productions
"The Farnsworth Invention"
Written by Aaron Sorkin who also created "The West Wing," this story is about the race between a ruthless East Coast media mogul and a self-taught Idaho farm boy on the West Coast to be the first to invent the television. Directed by Ron Schaeffer, the show previews Nov. 10-16, and runs Nov. 17-20 at Studio 116, Olson PAC.
"A Yorkshire Tragedy"
This Jacobean tragedy by Thomas Middleton is based on a true story about Walter Calverley who murdered his children and wounded his wife in 1605. This action-packed play is considered one of the most notorious examples of domestic violence in English history where the language is rich and the sword fights are bloody! The show previews on March 9-13 and runs March 14-18 at Studio 116, Olson PAC.
Co-Productions
UMKC Theatre will co-produce four shows this season with several distinguished Kansas City theatre groups:
"Billy Bishop Goes to War"
Co-produced with Kansas City Actors Theatre at The National World War I Museum
The successful partnership continues with KCAT and one of Kansas City's true treasures, The National World War I Museum, in this musical drama and one-man show about the Canadian WWI fighter pilot Billy Bishop. Written and composed by John Gray in collaboration with Eric Peterson, it will be directed by John Rensenhouse. Previews are Feb. 10-15, opening night is Feb. 16, and the show runs through Feb. 26.
"God of Carnage" Co-produced with the Unicorn Theatre and KCAT
by Yasmina Reza This production previews Oct. 19-21 and runs Oct. 22-Nov. 13; performances are at the Unicorn Theatre, 3828 Main St.
"The Salvation of Iggy Scrooge" Co-produced with the Unicorn Theatre
By Larry Larsen and Levi Lee
This production previews Nov. 30-Dec.2, and runs Dec. 3 to 24; performances are at the Unicorn Theatre, 3828 Main St.
"The Wrestling Season" Co-produced with the Coterie Theatre
by Laurie Brooks The production runs Jan. 24-Feb. 19 at the Coterie Theatre in Crown Center, 2450 Grand Blvd.
Ticket Information
Design-your-own season -- Choose from four ticket package options this year. Individuals may choose any performances, dates and times from the three graduate and two undergraduate shows. The options are:
- 2-show package: $24
- 3-show package: $33
- 4-show package: $40
- 5-show package: $45
Add our four co-production to any package for an additional $67.50.
Single ticket price for UMKC campus shows are:
- Adult: $15 each
- Senior/Student: $10
- Groups of 10+: $8
- Industry Night (Mondays only): $10
Single tickets sales for the co-productions are available through the Unicorn Theatre, Coterie Theatre, and KCAT box offices. Co-production single ticket prices vary.
For tickets, call the Central Ticket Office at (816) 235-6222 or purchase online at www.umkctheatre.org (additional fees apply with online ticket purchase).
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What separates the truly great artists from the humdrum run-of-the-mill types is a certain undeniable posthumous relevance. Millions still enjoy watching Alfred Hitchcock movies or standing in awe at Claude Monet’s Water Lilies. And in the world of wind band, a niche genre in which countless students develop as musicians, the music of American composer Morton Gould (1913-1996) occupies a similar space of significance.
more at 435 South
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Artistic Director: Anthony Magliano
Co-Artistic Director: Mica Thomas
Editor: Brian Hicks
Video: Stephen Goldblatt, Anthony Ladesich, Shannon Ryan
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Before this past weekend, country music was one of those subjects — like airplane mechanics or professional sports — about which I was abysmally ignorant. Consider me schooled, thanks to Mother Trucker 2 (at La Esquina) and Honky Tonk Angels (at the American Heartland Theatre). Both offer crash courses in the soul and guts of country.
more at The Pitch
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Before this past weekend, country music was one of those subjects — like airplane mechanics or professional sports — about which I was abysmally ignorant. Consider me schooled, thanks to Mother Trucker 2 (at La Esquina) and Honky Tonk Angels (at the American Heartland Theatre). Both offer crash courses in the soul and guts of country.
more at The Pitch
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Playing Formats - Registration Fees
U9-U10 Premier: 6v6 - Maximum Roster 11 - $525
U11-U12 Premier : 8v8 - Maximum Roster 14 - $550
U12 Premier: 11v11 - Maximum Roster 14 - $595
U13-15 Premier: 11v11 - Maximum Roster 18 - $595
U16-19 Premier: 11v11 - Maximum Roster 22 - $595
U9-U12 Recreational: 8v8 - Maximum Roster 16 - $550
U13-U15 Recreational: 11v11 - Maximum Roster 18 - $595
U16-U19 Recreational: 11v11 - Maximum Roster 22 - $595
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Playing Formats - Registration Fees
U9-U10 Premier: 6v6 - Maximum Roster 11 - $525
U11-U12 Premier : 8v8 - Maximum Roster 14 - $550
U12 Premier: 11v11 - Maximum Roster 14 - $595
U13-15 Premier: 11v11 - Maximum Roster 18 - $595
U16-19 Premier: 11v11 - Maximum Roster 22 - $595
U9-U12 Recreational: 8v8 - Maximum Roster 16 - $550
U13-U15 Recreational: 11v11 - Maximum Roster 18 - $595
U16-U19 Recreational: 11v11 - Maximum Roster 22 - $595
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Playing Formats - Registration Fees
U9-U10 Premier: 6v6 - Maximum Roster 11 - $525
U11-U12 Premier : 8v8 - Maximum Roster 14 - $550
U12 Premier: 11v11 - Maximum Roster 14 - $595
U13-15 Premier: 11v11 - Maximum Roster 18 - $595
U16-19 Premier: 11v11 - Maximum Roster 22 - $595
U9-U12 Recreational: 8v8 - Maximum Roster 16 - $550
U13-U15 Recreational: 11v11 - Maximum Roster 18 - $595
U16-U19 Recreational: 11v11 - Maximum Roster 22 - $595
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Age Level: 7-18
Class: "A","AA","AAA","Major"
Guaranteed Games: 3
Entry Fee:
7-8: $175
9: $215
10: $265
11-18: $365
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Entry Fee: $195
Guaranteed Games: 4
Divisions: 10U,12U,14U,16U,18U
To Enter:
www.tournamentmvp.com
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Age Level: 10,12,14,16,18
Class: A&B
Format: 3 Pool Games Plus Single Elimination Bracket Championship Tournament
Entry Fee: $195
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Age Level: 7-18
Class: "A","AA","AAA","Major"
Guaranteed Games: 3
Entry Fee:
7-8: $175
9:$215
10: $265
11-18: $365
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Composer Stephen Schwartz likes to write musicals about big questions, and "Children of Eden" is no exception. This musical receives its U.S. symphonic premiere through Sunday at Kansas City's Music Hall, in a production with over 140 local singers, dancers, actors and musicians directed by Charlie Piane.
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This is the White Theatre, one of Johnson County’s—and certainly the greater Kansas City metropolitan area’s—more obscure entertainment jewels. It’s nestled in a hollow just east of the Sprint World Headquarters, inside the Jewish Community Center that boasts a state-of-the-art fitness center, family activities and a gathering place for young and old. And inside the vibrant building that offers multi-faceted activities and welcomes people regardless of faith, is this theater that provides patrons with seasons of ambitious plays and musicals.
more at 435 South
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This article is from the June 2011 issue of KC Stage
Stage Directing, as it states on the back cover, is intended to be used for an introductory directing course. While it does cover the “six basic steps in the process all successful directors use: selecting the playscript, analyzing and researching the play, conceiving the production, casting, rehearsing, and giving and receiving criticism” well, overall the book was a little too basic in it’s covering of theatre.
In reading it, while I tried to realize it was written for the ‘beginning director’, I got the impression it was written as a high school text, not a college text. It tended to ‘talk down’ to the reader, and covered areas that I would assume someone wanting to direct a play would already be familiar with: for example, the differences between stage configurations, how a standard audition form looks like, and defining what crossing is in blocking. I find it hard to believe that there are people out there who are interested in directing who haven’t been involved in the theatre in some other form (acting or stage managing) and are not already aware of it.
However, the author may have been operating under the ‘never assume’ policy: after all, I wouldn’t automatically think to include a section on defining what copyright is, but after thinking of how many theatres have thought changing the text significantly without contacting the author/royalty agency was okay, I realized that is needed.
At the end of each section, the author does suggest websites the reader can go to for more on the topic discussed in that section, which was helpful. It also has regular projects to assign the reader (and the class) that further emphasized what was being taught.
The most useful section, at least for the readers of KC Stage, however, had to be Step 6: “Giving and Receiving Criticism”. “One important way to grow is to listen seriously and thoughtfully to the feedback your production generates,” and “understand why compliments are rewarding to hear but the real directorial growth comes from hearing what, in your work, needs additional attention” are the two best lines in the section.
As a theatre artist myself, I know how hard it is to receive a negative review on the KC Stage review system, but I’d like to think that - when the review is clear and specific (two tips in the “Giving Criticism” part) - that I do try to learn from it. In fact, given the inevitable hubbub a negative review causes (and the inevitable batch of positive reviews that follow), as well as the non-specific reviews the system tends to have, I was tempted to ask the author for permission to quote the entire four pages of the section, or at least the two pages with specific tips on both giving and receiving feedback.
The epilogue is another section helpful to those who may be new directors but not in a class: “Thinking Back and Looking Forward”. It covers questions to ask after directing for a first time and where to go for more experience (and again is geared toward a high school or college level director). However, many of the questions and tips can be for any first-time director, from asking whether the experience helped you to grow to keeping a journal of what productions you see with notes as to what you liked and didn’t like about the production.
As a textbook, Stage Directing: The First Experiences is somewhat worthwhile, if you’re dealing with high school students. However, as a book for an older first-time director, or as a potential reference for those who like to keep a basic book around for review, I wouldn’t recommend. I’m sure there are far better books out there for first time directors.
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'It Ain't Good' Rating: 2
Children of Eden Piane Productions
"It Ain't Good"--but it isn't bad either. Piane's promise to provide quality entertainment for the people of KC came up a little short overall; there were some outstanding individual performances, but not the brilliance one would expect from the collective whole--especially at a venue such as The Music Hall.
What must be mentioned first and foremost is the incredible sound produced by the choir, ensemble, and orchestra. Hats off to them as singers and musicians. Additionally, choosing the talented Kevin Bogan to conduct is always a smart choice. The magnificence of the music made me close my eyes and smile!
It's when I opened them back up that the disappointment began. The set was horrendous. The tiers of scaffolding looked more like a WEST SIDE STORY set--it blocked view of the actors--it created a visual obstruction to what needed to be a more pure and clean setting. It was hard to follow the principal actors as they traveled through the maze of wood--the spotlight (when cued correctly) was only able to dimly illuminate, as the forest of wood absorbed most of the light and created so many shadows.
The choreography, while adequate, lacked the professional quality expected at such a venue. It was not clean--more than twice I caught dancers glancing left or right at the adjacent dancer to verify they were doing the correct move. There were definitely some ensemble members who should NOT have been involved with choreography. Their lack of rhythm and coordination was obvious. In addition, it never really seemed that any one person was fully committed to their actions--most movement seemed robotic and unnatural.
Nathan Granner was amazing. He deserves his own paragraph exclaiming his masterful art, but that was already done in the playbill.
Cary Mock is fabulous. I can never say enough good things about his supreme ability to entertain. His bio is often too short and humble for the quality he brings to the stage. He is an under-appreciated performer, and his sensational voice is unparalleled in the KC area.
While this was only my first time to see Erikka Dunn onstage, I was disappointed in her acting ability. There was some pitch problems with her singing, especially in Act I--where it was obvious she was uncomfortable in her character. Act II was another story--she was able to unleash a bit of that gruff sound and bold attitude, which was grandly displayed as she led the gospel choir in "Ain't It Good."
The show was an overall disappointment simply because it wasn't 'crisp and clean.' It felt more like watching the end-of-week performance from a musical theatre camp.
read the review at KC Stage
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Many of you give your talents, resources and time to care for orphaned and abandoned children around the world. Some of you travel across borders to love on God’s kids. Last year at The BIG Event you provided hundreds of children with their very own school uniform, which opened the doors to education, hope, and a better future. You give with all of your heart… This year we want to share what God is doing through your efforts and celebrate alongside you with all of our hearts.
What to expect: Celebrate the positive difference being made in the lives of orphaned children around the world. Enjoy music, hors d’oeuvres, dessert and life-changing stories. Experience the heart of Third World orphan care without leaving Kansas City.
Attire: Business casual
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Admission is free
KCBS Sanctioned Event
Beer Garden
Food Vendors
Bounce House
Mini Golf
Friday Night Conver
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Johnson County Old Settlers festival is back on September 8th. Johnson County Old Settlers festival is a tradition since 1898. This festival fills downtown Olathe with nationally recognized musical entertainment, carnival rides, a parade, antique auto show, arts & crafts, and much, much more. The theme is “Celebrating 150 Years”. Bring the family, grab your friends and come on down.
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Johnson County Old Settlers festival is back on September 8th. Johnson County Old Settlers festival is a tradition since 1898. This festival fills downtown Olathe with nationally recognized musical entertainment, carnival rides, a parade, antique auto show, arts & crafts, and much, much more. The theme is “Celebrating 150 Years”. Bring the family, grab your friends and come on down.
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Ages: 10 Open, 12ABC, 14ABC, 16A, 16/18B, 18 Open
Format: 3 Game Bracket
Entry Fee: $150
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Over 200 teams from all over the Midwest are expected to attend the tournament this year. If you are looking for GREAT competition, on a GREAT weekend, with GREAT referees, at the FINEST soccer facility in the Midwest – the CSI on September 30 - October 2, 2011 is the event for your team/club.
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Over 200 teams from all over the Midwest are expected to attend the tournament this year. If you are looking for GREAT competition, on a GREAT weekend, with GREAT referees, at the FINEST soccer facility in the Midwest – the CSI on September 30 - October 2, 2011 is the event for your team/club.
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Age Level: 7-14
Class: "A","AA","AAA", "Major"
Guaranteed Games: 3
Entry Fee:
7-8: $175
9:$215
10: $265
11-14: $365
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Age Levels: 8,10,12,14,16,18
Class: C
Tournament Format: 3 Pool Games Plus A Single Elimination Championship Tournament
Entry Fee: $180
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Age Levels: 8,10,12,14,16,18
Class: C
Tournament Format: 3 Pool Games Plus A Single Elimination Championship Tournament
Entry Fee: $180
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Age Levels: 10,12,14,16,18
Class: A,B,&C
Format: 2 pool games plus a double elimination championship bracket
Entry Fee: $200
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The Midwest All Girls Invitational featured over 200 teams from four states participated in this weekend's tournament last year.The 2011 MAG Tournament will be held in one of the nations
finest soccer facilities: THE STATE OF THE ART - OVERLAND PARK SOCCER COMPLEX.
Playing Formats - Registration Fees
U9-U10 Premier: 6v6 - Maximum Roster 11 - $525
U11-U12 Premier : 8v8 - Maximum Roster 14 - $550
U12 Premier: 11v11 - Maximum Roster 14 - $595
U13-15 Premier: 11v11 - Maximum Roster 18 - $595
U16-19 Premier: 11v11 - Maximum Roster 22 - $595
U9-U12 Recreational: 8v8 - Maximum Roster 16 - $550
U13-U15 Recreational: 11v11 - Maximum Roster 18 - $595
U16-U19 Recreational: 11v11 - Maximum Roster 22 - $595
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The Midwest All Girls Invitational featured over 200 teams from four states participated in this weekend's tournament last year.The 2011 MAG Tournament will be held in one of the nations
finest soccer facilities: THE STATE OF THE ART - OVERLAND PARK SOCCER COMPLEX.
Playing Formats - Registration Fees
U9-U10 Premier: 6v6 - Maximum Roster 11 - $525
U11-U12 Premier : 8v8 - Maximum Roster 14 - $550
U12 Premier: 11v11 - Maximum Roster 14 - $595
U13-15 Premier: 11v11 - Maximum Roster 18 - $595
U16-19 Premier: 11v11 - Maximum Roster 22 - $595
U9-U12 Recreational: 8v8 - Maximum Roster 16 - $550
U13-U15 Recreational: 11v11 - Maximum Roster 18 - $595
U16-U19 Recreational: 11v11 - Maximum Roster 22 - $595
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Playing Formats - Registration Fees
U9-U10 Premier: 6v6 - Maximum Roster 11 - $525
U11-U12 Premier : 8v8 - Maximum Roster 14 - $550
U12 Premier: 11v11 - Maximum Roster 14 - $595
U13-15 Premier: 11v11 - Maximum Roster 18 - $595
U16-19 Premier: 11v11 - Maximum Roster 22 - $595
U9-U12 Recreational: 8v8 - Maximum Roster 16 - $550
U13-U15 Recreational: 11v11 - Maximum Roster 18 - $595
U16-U19 Recreational: 11v11 - Maximum Roster 22 - $595
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Playing Formats - Registration Fees
U9-U10 Premier: 6v6 - Maximum Roster 11 - $525
U11-U12 Premier : 8v8 - Maximum Roster 14 - $550
U12 Premier: 11v11 - Maximum Roster 14 - $595
U13-15 Premier: 11v11 - Maximum Roster 18 - $595
U16-19 Premier: 11v11 - Maximum Roster 22 - $595
U9-U12 Recreational: 8v8 - Maximum Roster 16 - $550
U13-U15 Recreational: 11v11 - Maximum Roster 18 - $595
U16-U19 Recreational: 11v11 - Maximum Roster 22 - $595
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The NSCAA College Showcase - Midwest will take place Thanksgiving weekend, November 25-27, 2011. Premier, Elite and Classic brackets may be available, depending on entries. The NSCAA College Showcase - Midwest is open to all competitive premier and elite club teams. This is a USYSA sanctioned tournament through the Kansas Youth Soccer. All teams must be affiliated and their players registered with USYSA through their respective state associations or US Club Soccer. Teams must be in good standing with their state association to play in our tournament.
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The NSCAA College Showcase - Midwest will take place Thanksgiving weekend, November 25-27, 2011. Premier, Elite and Classic brackets may be available, depending on entries. The NSCAA College Showcase - Midwest is open to all competitive premier and elite club teams. This is a USYSA sanctioned tournament through the Kansas Youth Soccer. All teams must be affiliated and their players registered with USYSA through their respective state associations or US Club Soccer. Teams must be in good standing with their state association to play in our tournament.
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The 2011 GSi College Showcase tournament will be held at the brand-new Overland Park Soccer Complex Friday, November 18th through Sunday November 20th, 2011. This is an annual invitational showcase for young men and women soccer players who want to play at the college level. More than 600 collegiate coaches from Divisions I, II, III, NAIA, and NJCAA are invited to scout players.
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The 2011 GSi College Showcase tournament will be held at the brand-new Overland Park Soccer Complex Friday, November 18th through Sunday November 20th, 2011. This is an annual invitational showcase for young men and women soccer players who want to play at the college level. More than 600 collegiate coaches from Divisions I, II, III, NAIA, and NJCAA are invited to scout players.
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Special Olympics is an international organization that changes lives by promoting understanding, acceptance and inclusion between people with and without intellectual disabilities through year-round sports training, competition and other related programming to children and adults with intellectual disabilities. Special Olympics has created a model community that celebrates people's diverse gifts. Founded in 1968 by Eunice Kennedy Shriver, Special Olympics provides its athletes with continuing opportunities to realize their potential, develop a healthy lifestyle, demonstrate courage and experience joy and friendship
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U9-U10 Premier: 6v6 - Maximum Roster 11 - $525
U11-U12 Premier : 8v8 - Maximum Roster 14 - $550
U12 Premier: 11v11 - Maximum Roster 14 - $595
U13-15 Premier: 11v11 - Maximum Roster 18 - $595
U16-19 Premier: 11v11 - Maximum Roster 22 - $595
U9-U12 Recreational: 8v8 - Maximum Roster 16 - $550
U13-U15 Recreational: 11v11 - Maximum Roster 18 - $595
U16-U19 Recreational: 11v11 - Maximum Roster 22 - $595
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U9-U10 Premier: 6v6 - Maximum Roster 11 - $525
U11-U12 Premier : 8v8 - Maximum Roster 14 - $550
U12 Premier: 11v11 - Maximum Roster 14 - $595
U13-15 Premier: 11v11 - Maximum Roster 18 - $595
U16-19 Premier: 11v11 - Maximum Roster 22 - $595
U9-U12 Recreational: 8v8 - Maximum Roster 16 - $550
U13-U15 Recreational: 11v11 - Maximum Roster 18 - $595
U16-U19 Recreational: 11v11 - Maximum Roster 22 - $595
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Age Level: 8, 10,12,14,16,18
Class: C
Enter by: July 24th
Format: 5 pool games followed by a single elimination bracket tournament
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Age Level: 8, 10,12,14,16,18
Class: C
Enter by: July 24th
Format: 5 pool games followed by a single elimination bracket tournament
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September 22 through 25, 2011
Registration Thursday, Sept 22, Friday is alumni day, Tour Museum and attend the KSDAA Awards Luncheon.
The KSDA Alumni recognition dinner is held on Friday.
Saturday is the date for the Volleyball/Homecoming Weekend.
150th Anniversary KSD is on Saturday, September 24, 2011.
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September 22 through 25, 2011
Registration Thursday, Sept 22, Friday is alumni day, Tour Museum and attend the KSDAA Awards Luncheon.
The KSDA Alumni recognition dinner is held on Friday.
Saturday is the date for the Volleyball/Homecoming Weekend.
150th Anniversary KSD is on Saturday, September 24, 2011.
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Age Level: 8, 10,12,14,16,18
Class: C
Enter by: July 24th
Format: 5 pool games followed by a single elimination bracket tournament
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Age Level: 8, 10,12,14,16,18
Class: C
Enter by: July 24th
Format: 5 pool games followed by a single elimination bracket tournament
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Age Level: 8, 10,12,14,16,18
Class: C
Enter by: July 24th
Format: 5 pool games followed by a single elimination bracket tournament
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Age Level: 7 & 8
Class: "A" & "AA"
Games: 3
Entry Fee: $175
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Age Level: 7 & 8
Class: "A" & "AA"
Games: 3
Entry Fee: $175
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The USSSA National Tournament is an alternative national tournament for youth soccer teams. It offers various levels of play including divisions not offered by other soccer associations.
- All teams must participate in a USSSA member league or compete in any State or Regional Championship to qualify for the National Finals. Teams may also receive an offical invitation by USSSA National Office.
- National Finals will only occur if 8 or more States host a USSSA State Championship
tournament.
- Teams will qualify for the National finals by reaching the final 4 in their local USSSA State or Regional Championship.
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The USSSA National Tournament is an alternative national tournament for youth soccer teams. It offers various levels of play including divisions not offered by other soccer associations.
- All teams must participate in a USSSA member league or compete in any State or Regional Championship to qualify for the National Finals. Teams may also receive an offical invitation by USSSA National Office.
- National Finals will only occur if 8 or more States host a USSSA State Championship
tournament.
- Teams will qualify for the National finals by reaching the final 4 in their local USSSA State or Regional Championship.
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Age Level: 10,12,14
Class: "AA"
Games: 4
Entry Fee: $535
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Age Level: 10,12,14
Class: "AA"
Games: 4
Entry Fee: $535
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Age Level: 10,12,14
Class: "AA"
Games: 4
Entry Fee: $535
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Age Level: 10,12,14
Class: "AA"
Games: 4
Entry Fee: $535
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Age Level: 10,12,14
Class: "AA"
Games: 4
Entry Fee: $535
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Age Level: 10,12,14
Class: "AA"
Games: 4
Entry Fee: $535
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USSSA World Sereis
7/18/2011 - World Series
Baseball Boys 8 & Under Machine Pitch AA
Games: 4
Entry Fee: $535
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USSSA World Sereis
7/18/2011 - World Series
Baseball Boys 8 & Under Machine Pitch AA
Games: 4
Entry Fee: $535
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USSSA World Sereis
7/18/2011 - World Series
Baseball Boys 8 & Under Machine Pitch AA
Games: 4
Entry Fee: $535
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USSSA World Sereis
7/18/2011 - World Series
Baseball Boys 8 & Under Machine Pitch AA
Games: 4
Entry Fee: $535
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Outstanding acting skills, breathtaking theater sets, harmonious singing voices and the melodic hum of instruments. Though pricey tickets might be required for entertainment incorporating these qualities, people living in south Johnson County miss out on opportunities to experience affordable shows and concerts happening right in their own neighborhoods. And there’s one woman on a mission to change this.
more at 435 South
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USSSA World Sereis
7/18/2011 - World Series
Baseball Boys 8 & Under Machine Pitch AA
Games: 4
Entry Fee: $535
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December 2-4 is the perfect time of year for soccer players to showcase in front of collegiate coaches. All High School programs will be completed by this date, and the majority of college programs will be looking to scout future players for their programs at this time.
Over 300 Collegiate coaches have been invited from Divisions I, II, III, NAIA and NJCAA (programs for players of all levels).
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December 2-4 is the perfect time of year for soccer players to showcase in front of collegiate coaches. All High School programs will be completed by this date, and the majority of college programs will be looking to scout future players for their programs at this time.
Over 300 Collegiate coaches have been invited from Divisions I, II, III, NAIA and NJCAA (programs for players of all levels).
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The KC Friendly Games Tournament will feature teams from 6-7 surrounding states. Many of the teams that have participated in the past were state or regional champions.
The tournamnet format is set up so that each team will play 3 pool games and will conclude with matching up with a team from the opposite pool. For example, the two teams will play each other, the two 2nd placed teams and so on. Each team, therefore will play 4 games.
With teams being matched with opponents of similar abilities for 4 games they are provided with the perfect "tune up" for their season.
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The KC Friendly Games Tournament will feature teams from 6-7 surrounding states. Many of the teams that have participated in the past were state or regional champions.
The tournamnet format is set up so that each team will play 3 pool games and will conclude with matching up with a team from the opposite pool. For example, the two teams will play each other, the two 2nd placed teams and so on. Each team, therefore will play 4 games.
With teams being matched with opponents of similar abilities for 4 games they are provided with the perfect "tune up" for their season.
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Tournament is open to 18A division teams who have participated in either a State / Metro or Regional tournament.
Tournament will be 2 Pool Games followed by Double Elimination per the ASA Code.
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Tournament is open to 18A division teams who have participated in either a State / Metro or Regional tournament.
Tournament will be 2 Pool Games followed by Double Elimination per the ASA Code.
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Tournament is open to 18A division teams who have participated in either a State / Metro or Regional tournament.
Tournament will be 2 Pool Games followed by Double Elimination per the ASA Code.
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With over 150 teams and over 135 college coaches overseeing the games, GSI is proud to announce the 2011 Summer College Showcase & KC Friendly Games Tournament! This is an invitational showcase for young men and women soccer players who want to play at the college level. More than 600 collegiate coaches from Divisions I, II, III, NAIA, and NJCAA are invited to scout players.
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With over 150 teams and over 135 college coaches overseeing the games, GSI is proud to announce the 2011 Summer College Showcase & KC Friendly Games Tournament! This is an invitational showcase for young men and women soccer players who want to play at the college level. More than 600 collegiate coaches from Divisions I, II, III, NAIA, and NJCAA are invited to scout players.
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With over 150 teams and over 135 college coaches overseeing the games, GSI is proud to announce the 2011 Summer College Showcase & KC Friendly Games Tournament! This is an invitational showcase for young men and women soccer players who want to play at the college level. More than 600 collegiate coaches from Divisions I, II, III, NAIA, and NJCAA are invited to scout players.
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It must generate enough revenue and hold down costs sufficiently to
return a reasonable profit to its owner or its investors. Otherwise,
there is no jazz club. That is the bottom line to be met before other
opportunities can begin.
more at kcjazzlark
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After more than 25 years of building scenery in an old un-air
conditioned elementary school in the East Bottoms, moving day arrived on
June 20, 2011. This wasn’t any ordinary move where everything could be
packed up in cardboard boxes…this move involved moving 500 pound tools
that needed four people to lift them!!!
more at the Lyric Opera
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Thanks to our friends at Midwest Kids Fest, we are going to send 4 lucky families to the 6th Annual Midwest Kids Fest – July 30-31, at the Overland Park Trade Center!
Midwest Kids Fest is… more 
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The Kansas City FilmFest was featured in the Spring 2011 issue of MovieMaker Magazine as one of “25 Festivals Worth the Entry Fee”.
more at CinemaKC
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Chances are you’ve never heard of Coach Al Buehler —unless you’re an avid follower of American track and cross-country—but know this absolute truth: the world is probably a bit brighter and more compassionate because of his grace.
more at 435 South
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I’ve known John Shipp for more than 30 years, but it took this lighthearted, utterly charming documentary for me to truly appreciate the guy.
more at Butler's Cinema Scene
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Full of Sound and Fury Rating: 3
Children of Eden Piane Productions
You can also read this review (with groovy formatting) at my blog: http://angiefsutton.wordpress.com/.
Imagine, if you will, the story of creation. From out of darkness, comes light. From out of chaos, comes order. From out of silence, comes sound.
"Children of Eden", the musical with music and lyrics by Stephen Schwartz and book by John Caird, is a two act musical: while the first act is the story of Adam and Eve and the second act the story of Noah, the whole tale more about parents and children and less about religion. It's the story of creation, but not in the way you expect.
Piane Productions' presentation is advertised as the U.S. symphonic premiere, a new orchestration for 55 musicians according to the Piane Productions website. Starring Nathan Granner as Father, Cary Mock as Adam/Noah, and Erikka Dunn as Eve/Mama Noah, it also featured the Kansas City Boys Choir and the Kansas City Girls Choir, which brought a certain lightness and youth to the production.
While it was a symphonic production, the use of the dual tiered set (with a rock/tree in the middle, using the space well) and the use of animal print/earth tones for the wardrobes of all but the main characters brought a sense of order to what could have been a chaotic overwhelming of the Music Hall stage, due to such a large cast and the orchestra on stage.
But it was the sound that killed the production. The orchestra overwhelmed the singing more times than I could count, and the mics went out mid song too many times for such a professional production. (Thankfully, almost every time it happened, the singer was well-versed in projection and we were still able to somewhat hear what was going on.) The sound levels seemed to be all over the place, and there were a few times I could hear the actors back stage over their live mics. And don't get me started on the 'Windows closing' sound heard over the sound system while the orchestra played after the curtain call.
The singers (especially our leads) did a fabulous job, with my only negatives with their portrayals being simple nitpicks.
Cary Mock, in Act I, played Adam a little too innocent at first, but he 'wised' up fairly quickly - finally shining during "A World Without You". His portrayal of Noah in Act II was so different that it was not difficult to see a different character.
Erikka Dunn did a good job as Eve, making the questioning a simple case of innocence. She seemed to be a bit too nervous and held back during "The Spark of Creation", when she obviously has the power needed (and finally does powerhouse a bit during "Children of Eden"). Maybe she was afraid she'd blow the mics?
Nathan Granner's portrayal of Father, at first fun and fantastic, comes across more angry and less exasperated, making the stories more about disobedience and the pride of parenthood and less about children growing up and parents learning to let go. But he embodies the role with such surety that even when the sound went away, he had presence and confidence - and style.
The five part snake had obviously way too much fun, but as a result had apple issues during "In Pursuit of Excellence" - and their choreography probably could've used another couple of days of rehearsal, as they needed to be more in sync. The kids, especially in "The Naming" in Act I, are frackin' adorable and utilized well in the production, and "The Return of the Animals" - with the parade of the animals - was worthy of the Music Hall stage.
I wanted to like this show. I really did. I raved about the Carlsen Center's production back in 2007, which also had Cary Mock in it. And as mentioned above, it had a lot of good in it. But the problems with the sound made the whole show go rapidly downhill, especially since by Act II any problems should have been fixed during intermission. The sound kept the show from being awesome, and instead made it wind up as merely decent.
"Children of Eden" will be performing until the July 24, and more information can be found at www.pianeproductions.com.
read the review at KC Stage
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Outstanding acting skills, breathtaking theater sets, harmonious singing voices and the melodic hum of instruments. Though pricey tickets might be required for entertainment incorporating these qualities, people living in south Johnson County miss out on opportunities to experience affordable shows and concerts happening right in their own neighborhoods. And there’s one woman on a mission to change this.
more at 435 South
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The Coterie Theatre concludes its 2011 season with The Wiz, the theatrical version of that perennially favorite story of midwestern values and virtue, The Wizard of Oz. The Coterie production is nothing short of spectacular!
more at KC Active
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Wayside Waifs and The Barn Kids join to present a special Aristo Kitty Cat Adoption event Saturday morning, July 23 from 10 a.m. to noon at The Barn Players Theatre in Mission.
more at The Vignette
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New members LeEtta Felter and Rick Schier, and incumbents Harlan Parker and Debora Daniels, were sworn in by the Board of Education.
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Be the change you want to see in the world — this applies to the 21st season of Summerfest, Kansas City’s summer chamber music series. Themed “Transformation,” the approach is trifold: readdress popular works, bring to life lesser performed works and incorporate modern works. With this philosophy, the series hopes to bring about change not only in the music, but in the musical community.
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The Olathe School District Board of Education approved publishing a proposed budget that includes a decrease in the mill levy.
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Theatergoers who arrived at the Music Hall for a Saturday matinee of the musical “Children of Eden” were told in a public-address announcement several minutes after the show was scheduled to start that the performance had been canceled.
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For longer than he cares to admit, John Shipp has been showcasing films for Kansas City viewers. In the 1970s, he ran Thomas & Shipp, which brought to the Midwest hundreds of releases from Roger Corman’s New World Pictures, including “Eat My Dust” and Federico Fellini’s “Amarcord.”
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6 p.m. Thursday, July 28, Education Center
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New members LeEtta Felter and Rick Schier, as well as incumbents Harlan Parker and Debora Daniels, were sworn in at the Olathe Board of Education's regular meeting July 14.
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We have many opportunities to hear small bands, and we have quite a few opportunities to hear big bands. But we rarely hear the in-betweens, the midsize bands.
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The Kauffman Center for the Performing Arts has announced a schedule of a dozen performers and speakers for the coming year in several programs beyond what’s been announced by resident groups and other presenters.
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The Nelson-Atkins Museum of Art has commissioned a ballet from the Owen/Cox Dance Group to celebrate “Ferment,” an eye-catching stainless steel artwork by Roxy Paine, the latest addition to the Nelson’s world-renowned sculpture garden.
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Short montage from "The Wishes" Recital 2011!
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Rod Roberts, an Olathe, Kan. native, is thrilled to be back in town this week performing for the first time on the Starlight Theatre stage. A member of the cast of the touring production of Guys and Dolls, Rod plays the roles of Hot Box waiter and Save-A-Soul Mission Band member; he also does double-duty as assistant choreographer of the show.
more at Starlight Theatre
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The American Royal is seeking talented individuals to volunteer their time to commence events by singing the national anthem.
more at The Examiner
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Its brow furrowed, its wings folded tight against its back, it frowned with frustration. Click again, maybe something will come up this time, it thought. It went back, then clicked the link again. But only a bright white screen stared back, blank. “Why do they make it so hard?” the Magic Jazz Fairy exclaimed. “They haven’t put a schedule online in three months!”
more at kcjazzlark
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All of the strange critters in Gage Park aren't in the Topeka Zoo. There's an ogre menacing people – and vegetables – south of the Reinisch Rose Garden. That's where the 12- to 13-year-old members of the Electric Blue Strawberry Stud Muffins section of the Break-A-Leg Players summer theater camp are staging "Ogre Here, Ogre There," a musical comedy written by Jerry Kraft and Charles Kenfield.
more at the Topeka Capital Journal
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Tosin Morohunfola, who plays the Scarecrow in the Coterie Theatre’s memorable production of “The Wiz,” has been named an artist in residence at the theater for young audiences.
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When Topeka Civic Theatre & Academy bills its summer musical, "Peter Pan," as a family show, it isn’t just talking about audience members. The cast and crew are full of families, too.
more at the Topeka Capital Journal
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Has any couple onstage been more star-crossed than Sarah Brown, the uptight Skid Row missionary with God in her heart, and Sky Masterson, the upright golden boy with gambling in his heart? Unlike Romeo and Juliet, whose families’ enmity makes their love impossible, Sarah and Sky are separated by their own fundamental natures.
more at The Pitch
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The key to finding a niche in Kansas City is to identify something that’s lacking in the community and go for it. That’s what a group of local musicians did 21 years ago, when they determined that July was a frightfully dead month for music locally—and that classical fans were left hungry for chamber-music fare. Thus was born Summerfest, Kansas City’s peerless chamber ensemble, which opens its season on July 9th and performs informal programs each Saturday and Sunday through July 31st.
more at The Independent
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Country music always has had an uneasy relationship with theater. Watching a stage show built around country songs often seems incongruous — like a Lincoln Town Car pulling a cattle trailer.
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The week of his 39th birthday, actor/director/writer David Wayne Reed will deliver the sibling to “Mother Trucker,” his 2004 homage to, and parody of, 1970s-’80s trucker movies.
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More than 300 entries were submitted from the across the United States, though only one-third of them followed the specific guidelines for the third annual Play.Write.Festival, which opens tonight at the Powerhouse Theatre inside the Roger T. Sermon Community Center. Numbers were assigned to the remaining 100 works, and a committee narrowed the festival to eight, 15-minute plays that have attracted City Theatre veterans and newcomers alike from both sides of the state line.
more at The Examiner
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Burlesque Downtown Underground's Marisa MacKay says she was given an ultimatum on Monday: Quit performing burlesque or be fired from her teaching job at a Christian dance studio. MacKay wasn't about to give up burlesque.
more at The Pitch
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Although they just appeared on a national cable series and are headed to Chicago to perform at an international convention, the Topeka High School Drumline concentrated Wednesday on keeping their hometown entertained.
more at the Topeka Capital Journal
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Lenexa Chamber After Hours from 5-7 PM. Olathe Chamber Ribbon Cutting Ceremony at 6:00 PM. Free food (Garozzo’s Ristorante), Free Drinks, & Door Prizes!
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Ice Cream for Breakfast! Mmm….Mmm...Holiday Inn® Olathe is excited to invite you to ice cream for breakfast to help raise funds for Give Kids the World! Funds raised will help provide weeklong, cost-free, fantasy vacations to children with life-threatening illnesses and their families. Come Join, bring the whole family or office. It’s ice cream for breakfast. What’s there not to love about ice cream? Suggested donation of $4 per person. For more information visit www.givekidstheworld.org. See you then!
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This interview has been awhile coming. I usually try to interview the newbies and old guys. But, since Matt has been such a reliable fixture in Black House I forgot all about what a great interview subject he would make. Drink it in...
more at Black House
[Thanks Plastic Sax]
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So there I was, alive and kicking at Starlight Theatre last night... When the breeze kicked in, the temps dropped blessedly from 97 degree weenie roast weather to something approaching liveable. But by song #7 - the theme to “Guys & Dolls” - the constant lightning and thunder rolling in began to frighten the assembled masses. (The true chickens in the audience walked out early, during Adelaide’s Lament, about psychosomatic illnesses. Figures.) Management suspended the show and it was later declared a rain out.
more at KC Confidential
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Patrons and staff are invited to learn more about educational topics specifically related to the district during the Citizen Education Academy.
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The Olathe Northwest High School Raven Pride marching Band in conjunction with the Colts Drum Bugle Corps and Drum Corps International will host the 2011 Kansas City Brass Impact Drum Bugle Corps Show on July 18 at the College Boulevard Activity Center.
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The Victor Continental show is nothing if not prolific. In 17 performances during the last 13 years, the raunchy, irreverent and hilarious sketch comedy show has been a Lawrence staple and this year is no different. On July 22 and 23, Victor and his collection of dirty puppets, profane parodies and naughty musical numbers will return to Liberty Hall. In the week leading up to the show, the lounge lizard stopped by our own Megan Stuke's pool for a candid chat about performing in the summer, his own style and what he does during the off-season.
more at lawrence.com
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Admission is free
KCBS Sanctioned Event
Beer Garden
Food Vendors
Bounce House
Mini Golf
Friday Night Conver
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The Kauffman Center for the Performing Arts’ 2011-2012 season features a diverse array of classical, jazz, and pop music, opera, ballet and contemporary dance, Broadway, comedy, lectures, and more. The inaugural season features legendary performing artists, including Aretha Franklin, Mavis Staples, Philip Glass, and Alvin Ailey American Dance Theater, among others. The Kauffman Center’s three resident companies—the Kansas City Ballet, the Kansas City Symphony, and the Lyric Opera of Kansas City—will also present seasons filled with world premieres, acclaimed guest artists, and a new production.
more at the Kauffman Center
and at kansascity.com
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Playwright Arika Larson
Playwright Trace Crawford
Playwright Blaise Miller
Playwright Kristine McGovern
Playwright Abigail Taylor
Playwright Mike Wimpy
Playwright Bob Kinast
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Patrons and staff of the Olathe School District are invited to learn more about educational topics specifically related to the district during the Citizen's Education Academy (CEA). The two-hour evening sessions begin in mid-September and conclude in early November.
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Charlotte Street Foundation wants to know your opinions — as artists and as audience and community members — about our programs and activities. We need your opinions to help us improve our programs, increase our effectiveness, and impact our community.
more at the Charlotte Street Foundation
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 The 2011 Kansas City Midwest Kids Fest is a weekend filled with fun and activities for the kid in everyone!! Midwest Kids Fest is a weekend event where parents and children are all entertained under the same roof. It… more
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In the jazz world, making it big isn't what it used to be. Record sales are down, instrumentals don't make hit songs, and even Grammy-winners need day jobs. But for those with the right combination of talent, dedication and luck, it's still possible to make a living and good music.
more at KC Currents
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Sheila Cage had slipped on ice and lay in a hospital bed with her right ankle broken when it was time to select the performers for the musical “Tom Sawyer,” which she was directing.
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Maxwell’s “Command and Control” and trailer from “Civil War Stories” will be featured on the July 16th show. Maxwell got started in professional filmmaking in the late 70′s at Kansas City based Calvin Communications. The skills gained there enabled him to make independently produced short films. One of these, “Prairie Storm,” (1996) the dramatic representation of a Flint Hills’ thunderstorm, has won domestic and international awards and is currently in the traveling national exhibit “America Now and Here.”
more at CinemaKC
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Want to own a piece of the Lyric Opera? Then you better get to the Lyric's garage sale on Friday and Saturday at 11th Street and Central. The Lyric is cleaning out its closets after 41 years and selling off photos, costumes, piano vocal scores, props and more.
more at The Pitch
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This article is from the June 2011 issue of KC Stage
Free and often powerful, open source content management systems can help you create a powerful website on a limited budget. WordPress and Joomla are well suited to build smaller sites quickly, while Drupal and Plone support robust and complex functionality.
A web presence is critical for almost every nonprofit, but creating a website can be daunting. It can take a lot of time, money, and technical expertise — things that are often in short supply. And just because you have a website up and running doesn’t mean your work is done. You still need to keep up with maintenance, updates, and desirable new features.
An open source Content Management System (CMS) can help. At its most basic, a content management system (CMS) is a software program that makes building and maintaining websites faster and easier. Content management systems store the actual content (text and images) in a database. The system can then automatically pull the content out and show it on the appropriate pages based on rules that you set up in advance. The ways you can organize it, and the types of rules you can use, depend on how structurally flexible the CMS is. This setup makes it easy for all your content administrators—the staff members who are writing and publishing the actual information on the site—to create content without worrying about technical issues, or even knowing all the places the content should go.
The term “open source” is a key distinction. The term means the software’s source code is freely available for everyone to see and change (as opposed the source code for MS Word, for example), but it has many wider implications. While proprietary software is created, distributed, and maintained by a business, with open source software these tasks are handled by a community of developers and users (recently, for-profit consulting and development firms have also become important vehicles for support). Just how effective that community is at its job is an important consideration when choosing an open source CMS.
Recommendations
What CMS should you choose? It depends on your own needs and situation. All four are solid systems with robust communities and a huge amount of functionality that will allow your technical staff to update your site.
If your needs aren’t very complex—that is, if you’re planning to hire someone to build you a site that’s less than several hundred pages, is generally hierarchically arranged and will be updated by only a handful of people in your organization — any of these systems will work fine. In fact, the person you hire to build the site will be the much more important choice. Look for someone who understands your needs and your organization; is responsive; can speak in a language you understand; and seems eager to work with you … and then use whichever CMS he or she recommends.
If you’re planning to build your site yourself, however — or if you’re planning a site that requires complex cross-referencing of information, a number of owners and editors, or significant custom functionality—it can be worth carefully comparing the systems to choose the one that’s right for you. It’s time-consuming to switch Content Management Systems once you’re up and running, so it’s worth taking time up front to define an infrastructure that will work for the long run.
WordPress
WordPress is a great choice for straightforward, simply arranged websites. It’s the easiest system to install and understand, and is easy to maintain and update, putting site setup within reach of anyone with a sense of technical adventure. There are many predefined graphic themes available, and adapting them to your particular needs is a relatively straightforward process for someone familiar with HTML and CSS. Updating and editing images and text is also quite straightforward, and multiple add-on modules are available. However, WordPress won’t scale to support complex sites as easily as the other three systems. It’s designed primarily to support simple arrangements of two types of content—blog posts and pages—so if you’d like pages or posts to appear in many different places based on automatic rules, this is not the system for you. There is only limited support for differentiation of user roles, with no easy way to support permissions based on section or type of content.
Joomla
Joomla is a solid utility player, good for a variety of different situations. It’s relatively straightforward to install and set up. The system is divided into three types of pages: Sections, Categories, and Articles. There’s a bit of a learning curve to understand how they work and interrelate, but once you’ve got it the system provides a strong infrastructure for straightforwardly creating useful site structures to support even very large sites. Add-on modules support a wide variety of functionalities, from shopping carts to community features, providing a solid base for many different kinds of sites.
Joomla is not the best choice for sites that will be edited by many different internal content authors, as it doesn’t offer an easy way create a workflow based on section or type of content. And while Joomla supports more complex site structures than WordPress, it is not as flexible as Drupal or Plone. Each piece of content is typically associated with a single page. This makes the system more straightforward to understand, but limits very advanced structures (like structuring a site around a multifaceted taxonomy). It’s not easy, for instance, to create your own types of content (for example, a directory of state schools that includes key information about those schools), and then show it in different views on different pages of your site. If you’re not sure what any of this means, you probably don’t need to worry about it—these are advanced considerations that won’t apply to the vast majority of sites.
Drupal
Flexible and powerful, Drupal is a great choice for more complex sites. It supports a wide variety of site structures—you can define very detailed rules as to what content should be displayed where, and build your own custom content types. It has particularly strong support for Web 2.0 and community functionality, including group blogs and user-submitted content. It’s also easy for your content administrators to find and update content.
But Drupal’s power comes with complexities. Understanding what the system offers and how to configure it is more difficult than WordPress or Joomla. The administrative screens for configuring a site have a huge number of options and settings, making them harder to interpret. And the flexibility of the system means it’s important to think through the best way to accomplish what you want before diving in. Most people will want to hire a consultant familiar with Drupal to help them set up a site rather than trying to go it alone.
Drupal is not as strong as Plone in workflow, and may not be the best choice for organizations that want to have many different people with different roles and ownership over content.
Plone
Plone is a powerful and robust system suitable for organizations with very complex needs. It’s used by major newspapers and huge businesses, and it shows. The system offers a huge degree of flexibility and control, and it supports almost infinitely complicated workflows. And since the content admin tools are well laid-out and friendly, it’s easy for non-technical administrators to update text and images. Plone’s features are as strong, or stronger, than the other three systems in every area reviewed except for one—Web 2.0/Community support, where Drupal came out on top.
Its main downside is in system installation and configuration. Plone requires a customized hosting setup (as opposed to a typical Linux/Apache/MySQL/PHP environment). Adding existing graphic themes and add-in modules, creating custom themes and setting up the site structure is all more complex than the other systems. Even seasoned technologists will likely require training to understand the system. Learning Plone to build a single Web site doesn’t make much sense—you’ll want to hire a consultant who’s already familiar with it. And since Plone is written in Python (unlike the more familiar PHP of the other systems), it may be harder to find someone to extend the system through custom code.
Wrapping It Up
While none of these systems is perfect for every organization, open source Content Management Systems work well for many nonprofits. They’re community-minded, cost nothing to acquire and can put editing Web sites within the reach of even the most non-technical people. Use the community aspect to help you make your decision—do some online research, ask questions on message boards. Don’t be afraid to take a CMS for a test run. If you don’t find what you’re looking for in a core system, it may well be available as an add-on. The time you take to make the right choice will be well worth it compared to what you’ll save in resources over the long term.
For More Information
Idealware, a 501(c)3 nonprofit, provides impartial information to help nonprofits choose software—and we have lots more resources about online project management software! All these resources are free.
This is an excerpt from the 60-page independent report that provides a summary of what Open Source content management systems are, what features are often useful to nonprofits, and a detailed comparison of WordPress, Joomla, Drupal, and Plone, the content management systems most widely used by nonprofits. For the full report, go to http://www.idealware.org/comparing_os_cms.
Other CMS-related Articles at Idealware
Top Ten Mistakes When Selecting a CMS
A Bird’s Eye View of the Content Management Landscape
Ask Idealware: Comparing Open Source to Proprietary CMSs
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Ahoy, matey! Shiver me timbers! Anyone can learn to speak like a pirate during a production of the whimsical musical “How I Became A Pirate” at Theatre Lawrence.
more at the Lawrence Journal World
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She's back.... Stricken singer Marilyn Maye - hospitalized last month the day before she was to perform a series of sold out shows at Jardine's for Father's Day week - is back up and at 'em. The legendary KC jazz diva was hospitalized with a rare case of kidney stones, a painful condition more rare in women and older folks.
more at KC Confidential
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You could hear a pin drop in the acoustically pleasing Spooner Hall auditorium Sunday as 13-year-old Chaeyoung Park stepped up to the piano and took a bow to a preset ovation.
more at the Lawrence Journal World
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Although best-known for his many Broadway appearances, Michael loved being recognized for Dark Shadows, Frazier and Seinfeld (he was featured in the popular "The Maestro" episode). In Kansas City, he was a regular at Sullivan's Steakhouse, eating late dinners with his longtime companion (and frequent leading lady) Marion Ross. Michael died July 8 in Woodland Hills, California. He was 84 years old.
more at The Pitch
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The Conservatory's Music Therapy and Music Education faculty and students are making a difference in the community.
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Back-to-school
means new pencils, fresh crayons, and pink rubber erasers but for families
struggling financially, this might not be the case. That's why the Olathe
Public Schools Foundation is holding its annual Backpack Supply Drive through
Aug. 15.
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Hey, playwrights--suffering from the summer drama doldrums? Bring your play and a few actors to First Run Theatre, where Dr. David Crespy will give you a full playwriting tune-up for your play. Bring multiple copies (enough for each character in your play) of your 10-15 minute script, play, scene, along with some of your acting friends, and we'll listen to your play and give you some feed-back.
more at Broadway World
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As Mariana Zylstra walked across the stage as a new graduate of Free State High School in 1999, she had no idea that she would become a professional dancer in Brazil. She and her husband, Slleyk, was featured on Monday’s edition of “Dance the World” on the Travel Channel.
more at the Lawrence Journal World
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Almost worth getting up for Rating: 4
Seven Against Thebes Gorilla Theatre Productions
You can also read this review at my blog: http://angiefsutton.wordpress.com/.
(Note: "Seven Against Thebes" was the latest foray into "KC Stage Live!", a 'play-watching' club in the vein of book clubs, where we will pick a show every few months to have people attend and then discuss afterwards.)
I am not a morning person. At all. I'm also not much for the summer heat. But for three years running (and for a few years sporadically before that), I have willingly gotten up early in order to attend the Gorilla's annual summer Greek show.
Like that other royalty-free summer show offered annually, it helps to know the story beforehand before venturing into the performance, as in today's short-attention span world it's hard to follow the plot if you're not at least familiar with it.
First staged in 467 BC, Aeschylus' "Seven Against Thebes" is the third in an Oedipus-themed trilogy. In the wake of Oedipus blinding himself, his two sons (Eteocles and Polynices) agreed to rule Thebes alternately. However, Eteocles refuses to step down, and Polynices raises an army as a result. And this is where the audience comes in.
Wikipedia's entry on the play states, "There is little plot as such; instead, the bulk of the play consists of rich dialogues that show how the citizens of Thebes feel about the threat of the hostile army before their gates, and also how their king Eteocles feels and thinks about it."
The pacing in the first part of the piece was good, although it drags a bit in places, especially toward the end. And that's really my only complaint against this year's production. I consider myself a fairly literate person, but with the heat becoming uncomfortable after the sun came up and a 90 minute running time without intermission, I found myself squirming (partly due to the soda and water I had) by the end, ready for it to be over. The long curtain call at the end didn't help matters, as it seemed to drag on.
However, the translation was well done. Kudos especially to the sound system this year: it was awesome and effective, with booming thunder and the sounds of war infiltrating the production. On top of that, the projection (both on the side of the actors themselves and the microphone system) was top-notch, and I only lost one or two pieces of dialogue throughout.
The chorus was spot on this year, with a good individual/group balance, and there was an effective piece in the second half where one becomes many becomes all.
Zack Chaykin as the spy had a tough part, as he is the one who has to describe the seven warriors that need to be fought by the various champions of Thebes. He did a good job of being a storyteller, making each description a tale with accompanying voices - and made the somewhat repetitious send-up as entertaining as possible.
Special note needs to go BJ Allen as Eteocles. This undoubtedly is the most difficult part of the production, and would make or break the show depending on who was cast. Allen did an outstanding job with presence to spare, never faltering in his presentation. His bio says he's a senior at UMKC: he's definitely someone you want to keep an eye out for.
In terms of directing, the choice of using modern dress was effective, as well as the use of the steps of the Nelson, making each movement mean something. However, there were too many times in my opinion that the actors were talking out to the audience when they needed to be talking to each other. It didn't really play for me, as I felt it went against the directorial choice of modernizing the dress and much of the dialogue.
"Seven Against Thebes" has one more performance tonight at 7 pm. It's almost worth the heat, so check it out.
read the review at KC Stage
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"I think Kansas City jazz has been grossly underrepresented," Washington says in the video. "The true form of Kansas City jazz is dying."
more at Plastic Sax
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Patrick David Clark is back where it all began. As a 20-year-old undergraduate at the University of Missouri, Clark heard a Bach fugue tunefully played with violin and bow. Right then and there, his trajectory was set. He heard music for all it was and could be, not merely as entertainment but a medium capable of reflecting “everything that humankind is.”
more at the Columbia Tribune
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Members of the Olathe Board of Education will elect their president and vice president during the first meeting of the new fiscal year, at 5:30 p.m. Thursday, July 14, in the Education Center, 14160 Black Bob Road, Olathe.
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Members of the Olathe Board of Education will elect their president and vice president during the first meeting of the new fiscal year, at 5:30 p.m. Thursday, July 14, in the Education Center, 14160 Black Bob Road, Olathe.
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With two months to go before opening, Helzberg Hall resonated last week with unexpected sounds. The clang of metal on metal. The soft whir of motorized objects. The expressive lilt of conversational French. With eyes closed, you could almost imagine being in the middle of an ad hoc performance of “Ballet Mecanique.” With eyes open, you’d realize something much bigger was under way.
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Ah, summer: starving insects, immobilizing sunburn and terrifying gin rickey hangovers. Let’s party! Did the Royals win? Fortunately, Kansas City’s 21st Summerfest chamber music season is now happening each weekend in July.
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The Kansas City Ballet and the Kansas City Public Library are teaming up for a series of events designed to put Mark Twain’s “The Adventures of Tom Sawyer” in a literary and historical context.
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The God's Love Nubia Rating: 4
Aida by The Theatre in the Park
Though I was familiar with the music, I had never had the pleasure of seeing Aida on stage prior to the opening night of the Theatre in the Park production. It is a truly beautiful love story with just enough humor and action to appeal to almost any audience member and the TTIP cast delivered a fine performance of it.
The set was perfect with some very cool rolling staircases, and the costumes by Todd Hoover-Holthus were phenomenal (the star of the show, if I had to pick just one). However, the rest of the technical aspects of the show were disappointing. The audio was poorly balanced so the band often overpowered the singers, making it difficult to understand them. There were also several occasions when the wrong mics were brought up, allowing us to hear the actors speaking backstage, and not hear the ones onstage at all. The lighting design, by Caleb Stroman, was beautiful, but the cues were often wrong, leaving a scene in the dark before it was over, or lighting the wrong actor. All of this considered, one has to remember that Theatre in the Park is a community theatre and each show only has a few days on the outdoor stage to work out the technical kinks before the show opens. I'm sure that these problems will fix themselves as the run continues.
The choreography by Liz Ernst was incredibly impressive and the ensemble was clearly full of trained dancers. It complimented the story and was quite a spectacle! However, there was so much of it that it almost took away from how good it was. Several of the dance sequences could have been shortened or cut altogether and the show would not have suffered from it in the least.
The actors in the principle roles had terrific chemistry with each other and beautiful voices. I was most impressed by Lindsey Jones in the role of Princess Amneris. She owned her character and nailed every note. I knew from the first song in the show that she would be my favorite. (And a question to the costumers: just how many dresses did she have!?) I was slightly disappointed with Legna Cedillo (Aida) and Robert Hingula (Zoser). Cedillo had a beautiful upper register and could belt like nobody's business, but there were several occasions when her singing was pitchy. Also, her lower notes lost the clarity that was present in the higher parts of the song and sounded forced. It also seemed that she learned how to act by watching Rachel Berry (played by Lea Michelle) on Glee. Take that as you will. Hingula was a terrific villain but his singing style didn't flow with the rest of the show. He has more of a rock sound when the rest of the performers sounded more soulful. This, of course, was just my personal preference, and says nothing against his level of talent. I'm not sure if it was director Greg Shaw's choice to have Zoser sound so different from the rest of the cast or if it is simply the only way Hingula can sound. I had a similar review of his voice when he played Roger in the Barn Players production of Rent. Aside from these small critiques, the lead roles were well cast. (The program fails to mention that Lauren Frazier played the role of Nehebka, so I'd like to make sure that she gets credit for her work). This ensemble was a great team, and despite its large size, it was clear that all of the performers were like a family. I recommend you check out Aida before the family splits up and moves on to other endeavors. This is a show that will delight all ages (especially an extremely cool and well executed effect at the end of the play). 4 out of 5 stars.
The show closes on July 17th so make time to go out to the park with a family before the chance passes you by.
read the review at KC Stage
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The visual centerpiece of Helzberg Hall, a Casavant Frères pipe organ, is being installed over the next 2 months in the Kauffman Center for Performing Arts. Quebec-based firm Casavant Frères custom-designed the mechanical organ which features 79 stops; 102 ranks and 5,548 pipes. Organ pipes and other parts fill the stage at the PAC as the installation begins.
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While we have a few minutes before the show, stop by our refreshment stand! We have all kinds of tasty treats! Popcorn for all eternity! Hell's on it's way!
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The names of the finalists were written in time signatures and tempo Saturday afternoon for the International Institute for Young Musicians International Piano Competition.
more at the Lawrence Journal World
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If Kansas City has been a productive location to make films, it’s also a place where several groups have made pocket money ridiculing them.
more at kansascity.com
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When Damon Runyon died in 1946, his lasting legacy, the Broadway musical “Guys and Dolls,” was still four years away from opening night.
more at kansascity.com
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From the original musical "The Truth...& Other Lies," by David Gomez and Julie Danielson. Produced by Music Theatre for Young People, Kansas City (www.MTYP.org).
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Watching "Seven Against Thebes" Saturday morning, I was reminded yet again that the works of the ancient Greek playwrights, sacrosanct though they may be, violate one of the first rules young writers are taught: Show, don't tell.
more at kansascity.com
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This is a Promo for our show, We Am Legend at the 2011 Kc Fringe Fest. Come see it at The Westport Coffee House: 4010 Pennsylvania Kansas City, Mo. More info at kcfringe.org 
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Lyle Harris, a respected jazz guitarist in Columbia, died Friday, July 1, 2011.
more at The Missourian
and at the News-Leader
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The former head of the Kansas Arts Commission said Friday he believes Gov. Sam Brownback’s administration is working to remove him from the commission altogether because he’s been a public critic of Brownback’s role in making his state the first to eliminate its arts funding.
more at the Lawrence Journal World
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During the post-show speeches of the opening night of the Coterie’s The Wiz, Jeff Church stated that there aren’t many professional productions put on of this show. And there’s a good reason why. This ambitious take on The Wizard of Oz is a retelling of the book version with an African-American context, and the Coterie should get kudos for even attempting such a feat – especially in their space.
more at Stage Savvy
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For Trilla Ray-Carter, who teaches cello at William Jewell College and is director of Kansas City Baroque Consortium, the devastation caused by the tornado in Joplin is personal.
more at kansascity.com
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The Topeka Symphony Orchestra will have concertmaster auditions for the coming season on Aug. 24. The registration deadline is Aug. 19.
more at the Topeka Capital Journal
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Former Kansas City Star writer Robert Butler was a veteran judge of the event and is one of the most respected names in the local independent movie scene. Luckily, we were able to talk just a bit about his new blog.
more at Tony's Kansas City
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Every new piece of music has a story behind it, a bud of inspiration that will blossom into the vision of the artist. For Steven Snowden, that story starts with a summer job working beside his father at a construction site. He is one of eight resident composers whose work will premiere next week at the Mizzou New Music Summer Festival.
more at the Missourian
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Back 25 years ago, Nancy Eppert caught the performance bug in a small Iowa town where she grew up. On Thursday, she’ll continue that tradition by directing her third show for the Blue Springs City Theatre group. It’s a kind of honor considering this is the 25th year for the group and its 100th show.
more at The Examiner
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Americans for the Arts, a nonprofit group based in Washington, wants the National Endowment for the Arts to send a strong message that each state must be “a fair partner” in supporting the arts, the advocacy group’s chief executive, Robert Lynch, said Thursday. He said allowing Kansas to receive federal dollars without putting up any of its own funds would be unfair to other states.
more at the Lawrence Journal World
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Hey CinemaKC fans! What’s your favorite not-for-profit organization up to this month? Why, making sure that “CinemaKC” broadcasts every Saturday night at 9:30pm on KSMO-TV 62! The July series features Kansas City filmmakers Tony Ladesich, Don Maxwell and Patrick Rea.
more at CinemaKC
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Aside from a handful of weirdos like me, who would want to see both The Yellowjackets and Peter Nero? That was my first reaction when I read Joe Klopus' preview of the Folly Theater's 2011-12 season. As I analyzed the seven selections, however, I realized they weren't entirely dissimilar. Excepting the Vanguard Orchestra, each act has a florid musicality in common.
more at Plastic Sax
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Christian Youth Theater Kansas City (CYTKC) announces its expansion in Shawnee, Ks. This will be CYT's fourth location in the Kansas City metro area.
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Topic: "Leading through Change"
Change is everywhere these days and it affects individuals and organizations alike. We will discuss the best and worst that change can bring, with our special guest Dave Ritzman. He will help facilitate the discussion and help us better understand how to lead your team, department, or organization through today’s state of constant change. You are encouraged to bring a list of your top questions or suggestions to share. As always…if you have firsthand experience in this area, please join us!
As always, if you have questions or firsthand experience in this area please be sure to attend this month's meeting.
What is the HR Roundtable?
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It offers a unique environment for human resources practitioners to interact with their peers on a monthly basis, discuss and share related best practices, emerging trends, and workplace issues.
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Meeting registration opens two weeks prior to the event date and ends the Friday before the meetng date. Cost is $11 per person for catered lunch or FREE for the "B.Y.O.Lunch" option. Complimentary Pepsi beverages always available.
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Payments for catered lunch are accepted online or at the door. Notify staff of B.Y.O.Lunch option via email or phone call. Cancelations must be received by 5 p.m. on the Friday prior to the event in order to avoid charges.
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Space is limited to 30 people. A waiting list will be maintained as needed and individuals will be contacted if space becomes available.
Mission Statement:
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The Olathe HR Roundtable offers human resource practitioners of member organizations a forum to discuss and share related best practices, emerging trends, and workplace issues. The main purpose of the roundtable is to create a unique environment where information can be shared in an open-exchange format that is collaborative, engaging, and valuable to represented organizations and the HR profession.
Who is it designed for?
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The HR Roundtable was created as a networking and problem-solving opportunity for human resource practitioners who are directly involved in the personnel and hiring process of their organization (i.e. HR managers, recruiters, payroll administrators, etc.).
Can vendors attend?
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Due to limited space and because of the nature of the topics that are openly discussed by the HR practitioners, some attendance restrictions do apply. Thus it is crucial to the group’s success that attendance is restricted to vendors that provide uniquely human resources services and/or products.
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Up to five seats will be reserved for vendors representing a relevant product or service may attend each meeting, with only one representative per business or organization each month.
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Vendors are sometimes the “solutions experts” to the questions and concerns that the HR practitioners have; therefore vendor input is welcome while “sales messages” are not.
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In determining the appropriateness of the various vendors in attendance, Chamber staff will consider the relevance to the hiring and employment situations that the HR practitioners face in their day-to-day jobs or to the topic of the month (i.e. vendors who deal with payroll services, pre-employment testing, staffing assistance, training, benefits, etc.).
Can non-members of the Olathe Chamber attend?
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One representative of a non-member organization is welcome to attend one meeting a year.
Can vendors make presentations to the HR practitioners that attend?
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Presentations are at the sole discretion of the Olathe Chamber of Commerce. Please consider the sponsorship opportunity described below.
The “Quarterly Lunch Sponsorship” program is an exclusive opportunity for vendors to promote their products and services. Please contact Chamber staff for details. It is offered to Olathe Chamber members in order to best serve its membership while continuing to discourage “sales messages” from meeting discussions:
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Vendors are offered an opportunity to provide printed materials and promotional items on a designated table and to be available afterwards to answer questions. Chamber staff will oversee the quantity and duration of displayed items and the length of the meeting.
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On occasion, the Chamber might invite various “experts” to address the group as deemed necessary and helpful to the overall group and topic of discussion. This is not a sales opportunity and may not qualify for the HR Roundtable Lunch Sponsorship program.
Discussion is facilitated by Susan Wallace, Olathe Chamber, Personnel & Projects Manager
To RSVP w/o online pre-payment, you may submit the form below and indicate "RSVP," your name, email, and lunch choice: (1) $11 Catered lunch option but pay at the door, or (2) Free B.Y.O.Lunch option. We will respond to submitted questions at our earliest convenience, or you may call the Olathe Chamber (913) 764-1050.
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As a kid, Steven Jarvi never really considered being a classical music conductor. Maestros weren’t real people the same way movie stars weren’t real people, he remembers thinking.
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Gorilla Theatre's annual Greek show is more than theatre: it's an event. Come join KC Stage for this Saturday's early morning performance (7:30 am, on the south steps of the Nelson) for our next round of KC Stage Live!
Look for Angie Fiedler in the KC Stage t-shirt, and if you get there early enough, she'll even have a couple dozen Krispy Kremes and KC Stage swag with her! Then, stick around after to discuss the show. Tickets are free to this production.
First staged in 467 BC, Aeschylus' 'Seven Against Thebes' is the next oldest surviving tragedy and won Aeschylus a first prize at its initial performance. When Oedipus, King of Thebes, realized he had married his own mother and had four children with her, he blinded himself and cursed his sons to divide their inheritance (the kingdom) by the sword.
For more information about this production, call Gorilla Theatre Productions at 816-510-3372.
KC Stage Live! is a 'play-watching' club in the vein of book clubs, where we will pick a show every few months to have people attend and then discuss afterwards (either in the theatre with possibly someone from the production crew, or at a nearby bar/restaurant). For more information about KC Stage Live!, e-mail magazine@kcstage.com.
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On Wednesday, the Chamber unveiled the ideas gathered during the past three months for the “Big 5” — or five strategic goals that will make Kansas City a place where people can live, work and play while creating strong foundations for families and businesses.
more at the Kansas City Business Journal
and here are the arts and culture proposals from the Chamber's "Big 5" pdf:
Celebrating and promoting the region’s rich offerings in arts and culture was a consistent theme throughout the “Big 5” process. A number of the ideas suggested involved creating new and expanding already-established festivals and events.
Specific ideas proposed include:
#35 – Endorse and support ArtsCopia, a regional celebration of the arts modeled after the Edinburgh Festival, currently under development by the Arts Council of Metropolitan Kansas City.
#36 – Expand the successful KC Fringe Festival to establish it as one of the biggest Fringe Fests in the country.
#37 – Honor the 100 year anniversary of WWI in 2014 by seeking designation of Liberty Memorial as the location of the official celebration of the World War I Centennial through legislation currently before Congress, and assisting the WWI Centennial Commission in fundraising for and development of anniversary events.
#38 – Build on the already-successful Memorial Day “Celebration at the Station” with additional Memorial Day events maximizing usage of Liberty Memorial, the World War I Museum and other venues in the immediate area.
#39 – Expand “Kansas City Day” celebrating the Royals home-opener into a larger, regional celebration of the community.
#40 – Establish a Freedom Frontier National Heritage Area regionally, telling the story of the struggle for freedom and democratic rights of African-Americans and all peoples of color, providing both residents and visitors a setting in which to learn about the expansion of freedom.
#41 – Create a task force of business and community leaders to work in concert with stakeholders in the Historic 18th & Vine Jazz District to further develop and promote the district, turning the district into a pinnacle destination.
#42 – Develop a membership-based universal “arts and culture” ticket to promote local interest in the arts and cultural awareness among communities.
#43 – Enact a bistate tax or a three-county Missouri tax to support regional arts and arts organizations, using a grassroots, bottom-up approach.
#44 – Work with stakeholders to double Kansas City Art Institute enrollment within three to five years.
#45 – Establish an Arts & Sciences Alliance with a mission to (1) cross-pollinate the two and (2) foster creativity.
#46 – Relocate the UMKC Conservatory to a new downtown location.
#47 – Develop a regional arts plan, in collaboration with the Arts Council of Metropolitan Kansas City, local arts commissions, and others.
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For 10 years, Kansas City’s Just Off Broadway Theatre in Penn Valley Park hosted shows in a barebones space with no lobby or other amenities.
But all that will change with the completion this summer of a construction project to dramatically enhance the building at 3051 Central St. as a hub for community theater.
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A trio of kidney stones sidelined the singer the night before she was to perform a string of sold-out shows at Jardine's for Father's Day week last month.
more at KC Confidential
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MidAmerica Nazarene University invites your business to participate in an exciting 6th Annual Community Fair. Event will be held outside on the Campus Green on Thursday, September 1, 5:00 to 7:30 p.m. (setup begins at 3 p.m.). Alternate Date if rained-out is September 6th. The purpose of this event is to make MNU students and employees aware of your ministries, products and services as well as for you to tap into the tremendous work force represented by MNU's student body. This is a great opportunity to advertise current part-time job openings. The cost is free for churches, includes one 8-foot table and two chairs, $10 for churches, includes one 8-foot table, two chairs, and electrical hookup. Vendors must supply their own extension cords. $40 for businesses, includes one 8-foot table and two chairs, $50 for businesses, includes one 8-foot table, two chairs, and electrical hookup. Vendors must supply their own extension cords. The event follows Welcome Week at MidAmerica, when new and returning students celebrate the start of classes for a new semester. We will promote the Fair extensively to students and staff, and combine it with an outdoor picnic to maximize student attendance. The deadline to register is August 19.After we receive your registration and payment, we will send a confirmation letter and additional information about parking, where to unload, a campus map (MNU Campus Map), etc. Questions? Contact Alison Weinstock at mnuservicecorps1@mnu.edu or at 913-971-3541. For details visit http://www.mnu.edu/community-fair
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Life rarely comes this neatly wrapped, and a column perhaps less often still, but this week features two terrific large-cast musicals with a lot in common: Andrew Lloyd Webber's Joseph and the Amazing Technicolor Dreamcoat (at the New Theatre Restaurant) and Charlie Smalls' The Wiz (at the Coterie Theatre).
more at The Pitch
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We’ve gotten a break from the heat and it’s perfect for grabbing a picnic blanket and taking in a movie with your family. There are several free options all around the metro, from Independence to Kansas City North (Briarcliff Village)… more 
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Life rarely comes this neatly wrapped, and a column perhaps less often still, but this week features two terrific large-cast musicals with a lot in common: Andrew Lloyd Webber's Joseph and the Amazing Technicolor Dreamcoat (at the New Theatre Restaurant) and Charlie Smalls' The Wiz (at the Coterie Theatre).
more at The Pitch
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Gov. Sam Brownback announced Tuesday that he has donated $150,000 in unspent inauguration funds to nonprofit groups, including $30,000 to the Kansas Arts Foundation, which Brownback set up to replace the state-funded Kansas Arts Commission, which he killed.
more at the Lawrence Journal World
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If you want to know the heart and soul of America, listen to its songs. And few genres of song tell our stories more vividly than country music, that unique style born of folk and gospel and blues and rooted in the soil of Middle America. Love, work, family, heartache, infidelity, addiction—like it or not, this is the stuff of our lives. So when Ted Swindley—the creator of Always … Patsy Cline—decided to write a “jukebox” musical using only country songs, he was able to let the lyrics of the songs provide much of the internal narrative. Honky Tonk Angels, which opens July 8 at the American Heartland Theatre, follows three very different southern women as they travel to Nashville to make their mark as country singers.
more at The Independent
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With the closing of the Missouri Film Office in Jefferson City last week after 28 years of service, the state's filmmaking community is worried about the future for made-in-Missouri movies and $4.5 million in tax credits.
more at The Missourian
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This article appeared in the June 2011 issue of KC Stage
Rich Piland of Fairfield, Ohio, is building a complete history of productions done at the Resident Theatre (the old Jewish Community Center) from 1932 to 1983. Needed are full cast lists (names and parts played) for about 15 shows done in the 1970s. He currently has 209 shows listed and wants to complete the list of performers and designers. He can be reached at richpiland@aol.com. Here is the list of productions which need cast lists, parts played, reviews from newspapers and scans of any relevant photos, if possible:
Cast List Needed
Lucky Sam McCarver (May 3-5, 1933)*
The Dybbuk (Nov. 25-29, 1933)*
The Front Page (Dec. 9-15, 1945)
My Heart’s in the Highlands (Nov. 5-15, 1951)
La Ronde (Jan. 23-Feb. 7, 1971)
Streetcar Named Desire (Oct. 14-31, 1971)
Scuba Duba (Feb. 29-Mar., 1972)
A Thurber Carnival (May 11-21, 1972)
Man in the Glass Booth (Feb. 24-Mar. 14, 1973)
The Trial (Mar. 25-Apr. 11, 1974)
Irene (Oct. 29-Nov 12, 1978)
Funny Girl (Oct. 20-29, 1079)
Dracula (Dec. 7-16, 1979)
How to Succeed in Business Without Really Trying (Jan. 19-28, 1980)
Inherit the Wind (May 7-15, 1983)
Review Only
And Miss Reardon Drinks a Little (Jan 18-Feb 2, 1975)
The Magic Show (Feb 19-23, 1975)
The Good Doctor (Oct. 18-26, 1975)
The Lion in Winter (Feb 7-15, 1976)
Lovely Ladies, Kind Gentlemen (Mar 20-28, 1976)
Arsenic and Old Lace (Oct 29-Nov 12, 1977)
Cast List and Review
The Miracle Worker (Dec 13-21, 1975)
Ten Little Indians (Sep. 11-19, 1976)
Fiddler on the Roof (Mar 12-20, 1977)
Finishing Touches (May 7-15, 1977)
*He has the cast for both of these but not the parts played.
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Buffalo Wild Wings at their new location on Strang Line Road is hosting a fundraising event for Heartland Habitat for Humanity from 5-8 pm on Wednesday, July 13th. A percentage of proceeds from guest food sales will come to Heartland Habitat. People will bring in special coupons that can be obtained via email or at the Olathe Chamber coffee on Thursday, July 7th.
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Here’s a first look at the jazz concert season ahead. The Folly Theater has already unveiled its series for the next year.
more at kansascity.com
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As the days grow longer... the countdown begins to the start of the Drum Corps International 2011 Tour. Come, feel the energy. Come, feel the excitement. Come feel the music!
On July 18th, 2011, Colts Drum & Bugle Corps along with the Olathe Northwest High School Raven Pride Marching Band in conjunction with Drum Corps International will host the 2011 Kansas City “Brass Impact” Drum & Bugle Corps Show. The show will be held at the College Boulevard Activity Center adjacent to the campus of Olathe Northwest High School (College Boulevard & Lone Elm Road). The event will sound off at 7:00pm with guest celebrity Bryan Busby conducting the Olathe District High School Bands performing the Star Spangled Banner. Following the introduction, the showcase begins with eight of the most decorated Drum & Bugle Corps in the nation. Featured Drum & Bugle Corps include: the Colts from Dubuque, IA; the Blue Devils from Concord, MA; The Cadets from Allentown, PA; and the Boston Crusaders from Boston, MA just to name a few. An enthusiastic crowd of over 5000 fans will be entertained by this incredible synergy of music and marching pageantry. These performers range in age from 15-21 and spend countless hours rehearsing in the hot sun, sleeping on gym floors, and traveling 10,000 plus miles across the country to entertain their fans just like you.
Order your tickets early, as this will be a sellout event. You can order your tickets at Online orders.
If you would like to volunteer, please complete the form to send us your information.
For further information please checkout: KC Brass Impact
Colts Drum & Bugle Corps
Drum Corp International (DCI)
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The goal of the program is to introduce new theatre-goers to the thrill and passion of live performing arts. This is especially needed in today's economic times, where too many people think the performing arts are 'just a luxury' that can be dropped and cut from government budgets and their own entertainment choices. The money is to help pay for the enter-to-win system the LA group developed last year, as well as to help pay for marketing the program.
more at Kickstarter
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Title: Wonderful show! Rating: 5
Les Miserables - School Edition The Theatre in the Park
I have been going to The Theater in the Park for over 10 years now. This is one of the best shows I have seen there. The vocal talent of these high school kids is truly amazing!
The set was minimal but very well done. Everyone gave 100% and it showed.
The director did a great job in selecting the cast and the leads. Great show!
read the review at KC Stage
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Student Edition?! Rating: 5
Les Miserables - School Edition The Theatre in the Park
Theatre in the Park closes their production of 'Les Miserables - School Edition' tonight, but with the amount of talent on the stage it's hard to believe the cast was composed entirely of students. To be quite honest there was very little to critique.
Charlie Meredith as Jean Valjean was perfectly cast for his abilities and put on a stellar performance. Keeping in mind that he is so young, I would have liked it if they had attempted to age him a little more. I was in the very front so I can't be sure what he looked like from the back, but he could have used a hair cut and a beard if he could manage one.
David McTeer (Javier) was, in a word, brilliant. From his performance to his appearance he could not have been more suited for the role.
All bias aside, it was the women who stole the show. Gabriela Delano (Fantine) and Katie Martin (Eponine) were absolutely breathtaking. When they were on stage I couldn't take my eyes off of them. They both sang effortlessly and had amazing breath control. When I spoke to Delano after the show she was incredibly polite and humble. I was very impressed. Keep an eye on these two young women Kansas City; they are going places.
Two other impressive young ladies were Anna Hastings and Linsey Hart. Hastings had a beautiful solo as Young Cosette and Hart won the admiration of the entire audience as the little spit-fire Gavroche.
The rest of the cast was very strong, though some can still benefit from additional training. Alex Peterson (Marius) for example, clearly has a beautiful instrument, and will surely continue to land principle roles with a few more years of vocal lessons. Elise Poehling's (Cosette) soprano voice was clear and polished but her character didn't really stand out. She and some other the other minor characters will greatly improve with some acting classes.
These students are raw talent and they will most certainly get even better with age. Congrats on an amazing performance. 5 out of 5 stars.
read the review at KC Stage
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The University of Missouri-Kansas City Conservatory’s series offer clever collaborations and international sensations, topped with a healthy serving of Gates barbecue in a brand-new venue.
more at kansascity.com
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The great jazz and rhythm and blues singer and Kansas City native Priscilla Bowman is buried in a cemetery adjacent to the Quindaro ruins. Her grave sits at the crest of a hill, under the shade of a large tree. It’s an appropriately beautiful setting for someone whose singing brought joy to so many of us.
more at kcjazzlark
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The talented performers from Kansas City's Music Theatre for Young People perform a patriotic medley at Union Station. The music is a remix of "America the Beautiful," "You're a Grand Ole Flag," and an original breakdown section all arranged by MTYP alum and musician Sam Terwilliger. Choreography created by Broadway dancer and MTYP Alum Roy Lightner.
more at kansascity.com
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Sometimes when I’m in the theater a Sean Penn quote comes to mind. “Good acting,” he once said, “can make me cry.”
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Eric Rosen, the Rep’s artistic director, said when he announced the company’s 2011-2012 season that his goal was to cast the season opener, “August: Osage County,” entirely with Kansas City-based actors. He has done exactly that, bringing together 13 performers, most of whom will be familiar to local theatergoers.
more at kansascity.com
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Diverse was once a promising collective of young Kansas City-based jazz musicians. While the band's initial shows were invariably exciting, enthusiasm and energy were often the most memorable aspects of its formative gigs. That's changing.
more at Plastic Sax
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“Wish Me Away,” a Kansas-shot documentary about Kansas City-born country singer Chely Wright, was named best documentary at the Los Angeles Film Festival on June 26.
more at kansascity.com
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Unnoticed by most concertgoers, the Commanding General’s Mounted Color Guard from Fort Riley, Kan., is moving silently toward the band shell from behind a hill at the back of the crowd. Riders in period cavalry uniforms have kept their horses out of sight all afternoon to preserve an element of surprise.
more at kansascity.com
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The Greeks of yore knew one thing about open-air theaters: They were guaranteed to draw in the curious crowds and otherwise passive passers-by. Eons later, Columbia’s 5th Wall Productions has harnessed that simple principle in its summer productions, concocting a summer season of Will Shakespeare’s renowned wit. Indeed, it is time for the third annual Shakespeare Festival, beginning Thursday, where both peasant and prince can wander past the columns flanking Walnut Street and take a seat in the Boone County Courthouse Square amphitheater to witness Shakespearean tales of bardlike and bawdy proportions.
more at the Columbia Daily Tribune
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Actor Brian Stanton, a Kansas City native now based in Los Angeles, has undertaken one of the most daunting efforts imaginable — writing and performing an autobiographical account of his search for identity.
more at kansascity.com
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Creativity can strike at any moment, whether you're near a canvas and brushes or beside a slumbering strongman and many rolls of toilet paper. Learn to recognize opportune moments with today's Groupon to Kansas City Young Audiences.
more at Groupon
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A prince falls in love with a commoner! A royal wedding follows! An enchanted love story that only happens in fairy tales? Think again. Nearly coinciding with the marriage of Prince William and Kate Middleton, Starlight presents Cinderella. Rodgers and Hammerstein's memorable score, featuring "Impossible," "Do I Love You Because You're Beautiful?" and "Ten Minutes Ago," transports audiences to a magical time and place, where the hearts of children and adults alike still soar when the glass slipper fits.
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Food and fun vendors
Concert and activities, plus a kids movie and popcorn all going on and FREE to the public!
Spend your day clebrating with your family in Olathe!
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The City of Olathe’s Fourth of July Fireworks display will begin at 9:30 p.m. Monday, July 4, at the Great Mall of the Great Plains. The display is anticipated to last between 15 and 20 minutes. In the event of rain, the display will be held on July 5.
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The American Jazz Museum is a vital cultural institution that serves countless students, educators, music enthusiasts, musicians both local and national and thousands of people from our community and beyond. The mission of the American Jazz Museum in Kansas City is to celebrate and exhibit the experience of jazz as an original American art form through research, exhibition, education, and performance at one of the country's jazz crossroads--18th & Vine.
[Thanks, Plastic Sax] 
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Come out for good friends, good food, and a great time! Also, raffle tickets will be avilable to win the '67 Pro Street Camaro with proceeds benefiting Positive Changes.
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The Olathe Northwest High School Raven Pride Marching Band in conjunction with the Colts Drum & Bugle Corps and Drum Corps International will host the 2011 Kansas City “Brass Impact” Drum & Bugle Corps Show on July 18, 2011. The show will be held at the College Boulevard Activity Center adjacent to the campus of Olathe Northwest High School (College Boulevard & Lone Elm Road). The event will sound off at 7:00pm with guest celebrity conductor Brian Busby, meteorologist for KMBC 9 News, directing all four Olathe district high school bands (Olathe North, Olathe South, Olathe East, Olathe Northwest) as they play the Star Spangled Banner. Following the introduction, nine of the most decorated Drum & Bugle Corps in the nation will take the stage. Featured corps include: the Colts from Dubuque, IA, the Blue Devils (current World Champions) from Concord, CA, the Cadets from Allentown, PA and the Boston Crusaders from Boston, MA. An enthusiastic crowd of over 5,000 fans will be entertained by an incredible synergy of music and marching pageantry. The performers range in age from 15 to 21 and spend countless hours rehearsing in the hot sun, sleeping on gym floors and traveling 10,000+ miles across the country to entertain their fans just like you. Olathe, KS is the place to be on Monday evening, July 18th as the air is filled with amazing music, applauding crowds and a showcase of talented local and national musicians. Be a part of the Kansas City Brass Impact Drum & Bugle Corps Show. A world class event in our hometown! A select number of sponsorships are still available until July 1, 2011. Please contact Melissa Beaudoin at (913) 271-1470. Tickets are available at http://www.colts.org/brassimpact_kc11.asp and will be sold at the door for $15-$40. For more information go to www.ravenbands.org.
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Judging by the wildly enthusiastic audience response Thursday night, the New Theatre has a hit on its hands with its unorthodox production of "Joseph and the Amazing Technicolor Dreamcoat."
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Set in Damon Runyon's mythical New York City, the oddball romantic comedy of Guys and Dolls soars with the spirit of Broadway as it introduces a cast of vivid characters who have become legends. Sarah Brown is out to reform the evildoers of Times Square; Sky Masterson is the high-rolling gambler who woos her on a bet and ends up falling in love; Adelaide is the chronically ill nightclub performer who's been engaged for 14 years; and Nathan Detroit, her devoted fiancé, is desperate to find a spot for his infamous floating game of craps.
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